Intimate Violence
Hitchcock, Sex, and Queer Theory
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Product details:
- Publisher OUP USA
- Date of Publication 6 April 2017
- ISBN 9780190214173
- Binding Paperback
- No. of pages296 pages
- Size 231x155x20 mm
- Weight 499 g
- Language English
- Illustrations 33 0
Categories
Short description:
Intimate Violence explores the consistent cold war in Hitchcock's films between his heterosexual heroines and his queer characters, usually though not always male. These conflicts eerily echo the tense standoff between feminism and queer theory. From a reparative psychoanalytic perspective, David Greven merges queer and feminist approaches to Hitchcock.
MoreLong description:
Intimate Violence explores the consistent cold war in Hitchcock's films between his heterosexual heroines and his queer characters, usually though not always male. Decentering the authority of the male hero, Hitchcock's films allow his female and queer characters to vie for narrative power, often in conflict with one another. These conflicts eerily echo the tense standoff between feminism and queer theory. From a reparative psychoanalytic perspective, David Greven merges queer and feminist approaches to Hitchcock. Using the theories of Melanie Klein, Greven argues that Hitchcock's work thematizes a constant battle between desires to injure and to repair the loved object. Greven develops a theory of sexual hegemony. The feminine versus the queer conflict, as he calls it, in Hitchcock films illuminates the shared but rivalrous struggles for autonomy and visibility on the part of female and queer subjects. The heroine is vulnerable to misogyny, but she often gains an access to agency that the queer subject longs for, mistaking her partial autonomy for social power. Hitchcock's queer personae, however, wield a seductive power over his heterosexual subjects, having access to illusion and masquerade that the knowledge-seeking heroine must destroy. Freud's theory of paranoia, understood as a tool for the dissection of cultural homophobia, illuminates the feminine versus the queer conflict, the female subject position, and the consistent forms of homoerotic antagonism in the Hitchcock film. Through close readings of such key Hitchcock works as North by Northwest, Psycho, Strangers on a Train, Spellbound, Rope, Marnie, and The Birds, Greven explores the ongoing conflicts between the heroine and queer subjects and the simultaneous allure and horror of same-sex relationships in the director's films.
Greven discovers an impressively wide range of queerings... [and] complicates his search for queer figures and readings in refreshingly unexpected ways... Greven's argument is tightly framed by his meticulously nuanced readings of earlier Hitchcock critics, especially feminists and queer theorists.
Table of Contents:
Acknowledgements
Introduction: Intimate Violence
Chapter 1: Queer Hitchcock: Psycho and Northwest by Northwest
Chapter 2: "You're A Strange Girl, Charlie": Sexual Hegemony in Shadow of a Doubt
Chapter 3: Mirrors without Images: Spellbound
Chapter 4: Making a Meal of Manhood: Rope, Orality, and Queer Anguish
Chapter 5: The Fairgrounds of Desire: Paranoia and Masochism in Strangers on a Train
Chapter 6: The Death-Mother in Psycho: Hitchcock, Femininity, and Queer Desire
Chapter 7: Marnie's Queer Resilience
Epilogue: Melanie's Birds: Deconstructing the Heroine
Notes
