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    Hawaiian Music in Motion: Mariners, Missionaries, and Minstrels

    Hawaiian Music in Motion by Carr, James Revell;

    Mariners, Missionaries, and Minstrels

    Series: Music in American Life; 561;

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      • Publisher's listprice GBP 88.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        39 732 Ft (37 840 Ft + 5% VAT)
      • Discount 10% (cc. 3 973 Ft off)
      • Discounted price 35 759 Ft (34 056 Ft + 5% VAT)

    39 732 Ft

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    Availability

    Temporarily out of stock.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1st Edition
    • Publisher University of Illinois Press
    • Date of Publication 3 November 2014
    • Number of Volumes Hardback

    • ISBN 9780252038600
    • Binding Hardback
    • See also 9780252080197
    • No. of pages240 pages
    • Size 229x152x25 mm
    • Weight 540 g
    • Language English
    • Illustrations 13 black and white photographs
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    Long description:

    Hawaiian Music in Motion explores the performance, reception, transmission, and adaptation of Hawaiian music on board ships and in the islands, revealing the ways both maritime commerce and imperial confrontation facilitated the circulation of popular music in the nineteenth century. James Revell Carr draws on journals and ships' logs to trace the circulation of Hawaiian song and dance worldwide as Hawaiians served aboard American and European ships. He also examines important issues like American minstrelsy in Hawaii and the ways Hawaiians achieved their own ends by capitalizing on Americans' conflicting expectations and fraught discourse around hula and other musical practices.

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