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    Hard Bop: Jazz and Black Music, 1955-1965

    Hard Bop by Rosenthal, David H.;

    Jazz and Black Music, 1955-1965

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      • Publisher's listprice GBP 17.49
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        7 896 Ft (7 520 Ft + 5% VAT)
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    7 896 Ft

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    Product details:

    • Publisher OUP USA
    • Date of Publication 24 February 1994

    • ISBN 9780195085563
    • Binding Paperback
    • No. of pages224 pages
    • Size 217x139x14 mm
    • Weight 318 g
    • Language English
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    Short description:

    Hard bop was a brand of post bebop jazz that enveloped many of the most talented American musicians in the period between 1955 and 1956. These were years unrivalled in jazz history for the number of musically brilliant records issued - including Art Blakey's Ugetsu, Miles Davis's Kind of Blue, Thelonius Monk's Brilliant Corners, and Sonny Rollins's Saxophone Colossus.

    This is the first book devoted entirely to hard bop, combining a narrative of the movement's evolution, from its beginnings as an amalgam of bebop and R&B to its experimental breakthroughs in the 1960s. With close analyses of musicians' styles and recordings, as well as specific tendencies within the school, such as `soul jazz', it offers a much needed examination of the artists, milieus, and above all the sounds of one of America's greatest musical epochs.

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    Long description:

    Hard bop was a brand of post bebop jazz that enveloped many of the most talented American musicians in the period between 1955 and 1956. These were years unrivalled in jazz history for the number of musically brilliant records issued - including Art Blakey's Ugetsu, Miles Davis's Kind of Blue, Thelonius Monk's Brilliant Corners, and Sonny Rollins's Saxophone Colossus.

    This is the first book devoted entirely to hard bop, combining a narrative of the movement's evolution, from its beginnings as an amalgam of bebop and R&B to its experimental breakthroughs in the 1960s. With close analyses of musicians' styles and recordings, as well as specific tendencies within the school, such as `soul jazz', it offers a much needed examination of the artists, milieus, and above all the sounds of one of America's greatest musical epochs.

    'very good overview of the genesis and development of that music which flourished from 1955 to 1965'
    Peter Hepple, Stage & Television Today

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