Handel and his Singers
The Creation of the Royal Academy Operas, 1720-1728
Series: Oxford Monographs on Music;
- Publisher's listprice GBP 175.00
-
79 012 Ft (75 250 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 7 901 Ft off)
- Discounted price 71 111 Ft (67 725 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
79 012 Ft
Availability
printed on demand
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Clarendon Press
- Date of Publication 15 June 1995
- ISBN 9780198163152
- Binding Hardback
- No. of pages228 pages
- Size 244x161x19 mm
- Weight 550 g
- Language English
- Illustrations music examples, tables and drawings 0
Categories
Short description:
In this book, Steven LaRue examines the influence of the great operatic singers on Handel's creative process. In Handel's day the idea of a singer creating a role was perhaps never more true, and the author demonstrates not only the singer's important role in Handel's opera composition, but also the effect that opera singers had on the creation of opera throughout the eighteenth century.
MoreLong description:
From the early 18th century until the present day, opera seria as practised by Handel and his contemporaries has been the subject of satire and even derision for its dramatic artifice and virtuosic vocal displays. Close examination of Handel's autograph manuscripts, the librettos upon which they were based, and other contemporary documents reveal the extent to which Handel was influenced by his singers and their abilities in creating his commercially successful and dramatically effective operas. Drawing on ideas and evidence from these sources, this study demonstrates the fact that Handel's singers were the single most important influence in his opera composition during his tenure as composer and music director of the Royal Academy of Music from 1719-28.
LaRue illustrates his main thesis very well by utilizing the sources that he concisely describes in chapter 2: autograph manuscripts, conducting and other manuscript scores, printed librettos, and music printed within weeks or months of a premiere...the significant material is found in LaRue's fine study of Handel's creative process
