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    Gothic Print Culture, 1789-1900: Volume II: Chapbooks

    Gothic Print Culture, 1789-1900 by Camden, Jennifer; DeLucia, JoEllen;

    Volume II: Chapbooks

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      • Publisher's listprice GBP 120.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        54 180 Ft (51 600 Ft + 5% VAT)
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      • Discounted price 43 344 Ft (41 280 Ft + 5% VAT)
      • Discount is valid until: 30 June 2026

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    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 17 July 2026

    • ISBN 9780367649593
    • Binding Hardback
    • No. of pages326 pages
    • Size 234x156 mm
    • Weight 453 g
    • Language English
    • Illustrations 12 Halftones, black & white
    • 700

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    Short description:

    The second volume of Gothic Print Culture, 1789-1900 reprints Gothic chapbooks. These shorter and cheaper pamphlets capitalized on the Gothic’s popularity and were marketed to working-class audiences. 

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    Long description:

    The second volume of Gothic Print Culture, 1789-1900 reprints Gothic chapbooks. These shorter and cheaper pamphlets capitalized on the Gothic’s popularity and were marketed to working-class audiences. Chapbook publishers such as Ann Lemoine and Thomas Tegg took advantage of copyright law’s failure to address formats beyond the book in order to abridge, excerpt and adapt versions of popular novels and dramas, particularly works by Ann Radcliffe and Matthew Lewis. By commissioning elaborate frontispieces for almost all Gothic chapbooks, publishers also pioneered a visual language for the Gothic. Although many chapbooks were published anonymously, prolific chapbook writers, such as Isaac Crookenden and Sarah Wilkinson, have been dismissed as hacks because of their reliance on Gothic formulas and practices of adaptation. The Gothic chapbooks included in this volume challenge the marginalization of chapbook writers and publishers and frame the interplay between original and adaptation as central to studies of not only the chapbook form but also the Gothic itself.

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    Table of Contents:

    PART 1: Publishers


    1 Edmund and Albina; or, Gothic Times. A Romance
    ANON.
    2 Highland Heroism; or the Castles of Glencoe and Balloch
    ATTRIBUTED TO R. DOUGLAS
    3 Romano Castle; or, the Horrors of the Forest. A Romance
    L. WATKINS


    PART 2: Authors


    4 Zittaw the Cruel; or the Woodman’s Daughter: a Polish romance
    S. WILKINSON
    5 Romantic Tales. The Revengeful Turk; or, Mystic Cavern. The Distressed Nun; or, Sufferings of Herselia di Brindoli of Florence. And the Vindictive Monk; or, Fatal Ring
    I . CROOKENDEN
    6 The Phantom Horseman; or, Saved by a Spectre. A Story of the Dark Ages
    C. E. STONE


    PART 3: Novels to Chapbooks


    7 The Castle of the Pyrenees; or, the Wanderer of the Alps. An Historic Tale
    ANON.
    8 The Mysteries of Udolpho, A Romance, Founded on Facts; Comprising the Adventures & Misfortunes of Emily St. Aubert, To which is added Adolphus and Louisa, or, the Fatal Attachment, A Tale of Truth
    ANON.


    PART 4: Theater and Chapbooks



    9 The Vampire; or, Bride of the Isles, a Tale, Founded on the Popular Superstition of Caledonia
    ANON.
    10 The Round Tower, or the Mysterious Witness: an Irish legendary tale of the sixth century
    C. F. BARRETT

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