Gothic Print Culture, 1789-1900
Volume II: Chapbooks
- Publisher's listprice GBP 120.00
-
54 180 Ft (51 600 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 20% (cc. 10 836 Ft off)
- Discounted price 43 344 Ft (41 280 Ft + 5% VAT)
- Discount is valid until: 30 June 2026
Subcribe now and take benefit of a favourable price.
Subscribe
48 762 Ft
Availability
Not yet published.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Edition number 1
- Publisher Routledge
- Date of Publication 17 July 2026
- ISBN 9780367649593
- Binding Hardback
- No. of pages326 pages
- Size 234x156 mm
- Weight 453 g
- Language English
- Illustrations 12 Halftones, black & white 700
Categories
Short description:
The second volume of Gothic Print Culture, 1789-1900 reprints Gothic chapbooks. These shorter and cheaper pamphlets capitalized on the Gothic’s popularity and were marketed to working-class audiences.
MoreLong description:
The second volume of Gothic Print Culture, 1789-1900 reprints Gothic chapbooks. These shorter and cheaper pamphlets capitalized on the Gothic’s popularity and were marketed to working-class audiences. Chapbook publishers such as Ann Lemoine and Thomas Tegg took advantage of copyright law’s failure to address formats beyond the book in order to abridge, excerpt and adapt versions of popular novels and dramas, particularly works by Ann Radcliffe and Matthew Lewis. By commissioning elaborate frontispieces for almost all Gothic chapbooks, publishers also pioneered a visual language for the Gothic. Although many chapbooks were published anonymously, prolific chapbook writers, such as Isaac Crookenden and Sarah Wilkinson, have been dismissed as hacks because of their reliance on Gothic formulas and practices of adaptation. The Gothic chapbooks included in this volume challenge the marginalization of chapbook writers and publishers and frame the interplay between original and adaptation as central to studies of not only the chapbook form but also the Gothic itself.
MoreTable of Contents:
PART 1: Publishers
1 Edmund and Albina; or, Gothic Times. A Romance
ANON.
2 Highland Heroism; or the Castles of Glencoe and Balloch
ATTRIBUTED TO R. DOUGLAS
3 Romano Castle; or, the Horrors of the Forest. A Romance
L. WATKINS
PART 2: Authors
4 Zittaw the Cruel; or the Woodman’s Daughter: a Polish romance
S. WILKINSON
5 Romantic Tales. The Revengeful Turk; or, Mystic Cavern. The Distressed Nun; or, Sufferings of Herselia di Brindoli of Florence. And the Vindictive Monk; or, Fatal Ring
I . CROOKENDEN
6 The Phantom Horseman; or, Saved by a Spectre. A Story of the Dark Ages
C. E. STONE
PART 3: Novels to Chapbooks
7 The Castle of the Pyrenees; or, the Wanderer of the Alps. An Historic Tale
ANON.
8 The Mysteries of Udolpho, A Romance, Founded on Facts; Comprising the Adventures & Misfortunes of Emily St. Aubert, To which is added Adolphus and Louisa, or, the Fatal Attachment, A Tale of Truth
ANON.
PART 4: Theater and Chapbooks
9 The Vampire; or, Bride of the Isles, a Tale, Founded on the Popular Superstition of Caledonia
ANON.
10 The Round Tower, or the Mysterious Witness: an Irish legendary tale of the sixth century
C. F. BARRETT