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7 161 Ft
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Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
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Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Bloomsbury Academic
- Date of Publication 6 February 2025
- Number of Volumes Paperback
- ISBN 9781501399718
- Binding Paperback
- No. of pages pages
- Size 198x128x12 mm
- Weight 120 g
- Language English
- Illustrations 11 bw illus 635
Categories
Long description:
A minute-by-minute analysis of Gus Van Sant film, Gerry (2002).
Blending film criticism with creative nonfiction, each book in the Timecodes series focuses on one film, exploring it minute by minute beginning with minute one, and ending with the final minute before the closing credits.
In the canon of director Gus Van Sant's films, Gerry (2002) stands out as a singular work, a boldly experimental film that nonetheless is accessible, darkly humorous, and profound. Gerry: Minute by Minute is a non-traditional critical study of this film, a bold, impressionistic series of vignettes that circle around questions which are highly specific to Gerry itself but which are also universal: what is it about certain works of art-films, books, paintings, music-that attach themselves to us so that we carry them with us on our journey through life? What does it mean to walk with these works inside us, as if they are a part of us?
The book's structure unfolds chronologically along with the film, with one moment from each of the film's 100 minutes serving as the basis for the chapters. Each of the 100 vignette chapters takes on topics ranging from the particulars of the film itself, including: the inventive use of camera movement and sound; the productive nature of collaboration; the driving themes and philosophies that inform the film; the blistering heat, in Death Valley, of its production; the place of Gerry in American cinema and its European influences, especially Béla Tarr; the impact of 9-11 on the cultural landscape of 2001-02, when Gerry was filmed and released; and what it means to "walk" with a film or a book, carrying it our heads as it informs who we are, often in subtle ways invisible to those around us.
Table of Contents:
Preface
Minutes 1-100
Endnotes
Index
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