Geneses of Postmodern Art
Technology As Iconology
Series: Routledge Advances in Art and Visual Studies;
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Product details:
- Edition number 1
- Publisher Routledge
- Date of Publication 14 October 2024
- ISBN 9781032929811
- Binding Paperback
- No. of pages182 pages
- Size 246x174 mm
- Weight 380 g
- Language English
- Illustrations 41 Illustrations, black & white 654
Categories
Short description:
Postmodernism in the visual arts is not just another 'ism.' To explain why, Paul Crowther investigates topics such as eclecticism, the sublime, deconstruction in art and philosophy, and Paolozzi's Wittgenstein-inspired works.
MoreLong description:
Postmodernism in the visual arts is not just another 'ism.' It emerged in the 1960s as a transformation of artistic creativity inspired by Duchamp's idea that the artwork does not have to be physically made by its creator. Products of mass culture and technology can be used just as well as traditional media. This idea became influential because of a widespread naturalization of technology - where technology becomes something lived in as well as used. Postmodern art embodies this attitude. To explain why, Paul Crowther investigates topics such as eclecticism, the sublime, deconstruction in art and philosophy, and Paolozzi's Wittgenstein-inspired works.
MoreTable of Contents:
Introduction: Technology As Iconology
Chapter 1 ? Contingent Objects, Permanent Eclecticism
Chapter 2 - The Eclectic Range of Postmodern Art
Chapter 3 - Space, Power, and Complexity: The Modern and Postmodern Sublimes
Chapter 4 ? Deconstruction in Art and Philosophy
Chapter 5 ? Subconscious Circuitry: Paolozzi?s Wittgenstein and the Signs of Postmodernism
Chapter 6 ? Post-Postmodernism?
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