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  • From the Erotic to the Demonic: On Critical Musicology

    From the Erotic to the Demonic by Scott, Derek B.;

    On Critical Musicology

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      • Publisher's listprice GBP 56.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        26 754 Ft (25 480 Ft + 5% VAT)
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      • Discounted price 24 079 Ft (22 932 Ft + 5% VAT)

    26 754 Ft

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    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher OUP USA
    • Date of Publication 15 May 2003

    • ISBN 9780195151961
    • Binding Paperback
    • No. of pages272 pages
    • Size 238x156x18 mm
    • Weight 395 g
    • Language English
    • Illustrations 5 halftones & numerous music examples
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    Short description:

    From the Erotic to the Demonic demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity. This book will serve as a model for musicologists who want to take a postmodern approach to their inquiries. The clear and lively arguments are supported by ninety musical examples taken from such diverse sources as opera, symphonic music, jazz, and nineteenth- and twentieth-century popular songs. Derek Scott offers new insights on a range of "high" and "low" musical styles, and the cultures that produced them.

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    Long description:

    From the Erotic to the Demonic demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity. This book will serve as a model for musicologists who want to take a postmodern approach to their inquiries. The clear and lively arguments are supported by ninety musical examples taken from such diverse sources as opera, symphonic music, jazz, and nineteenth- and twentieth-century popular songs. Derek Scott offers new insights on a range of "high" and "low" musical styles, and the cultures that produced them.

    One of Scott's most noble achievements in this book is the recuperation of musical repertories that have been ignored or marginalized, perhaps suppressed by ideological forces such as the canon. In covering such a wide range of different musics and raising some fundamental issues about music and its interpretation, Derek Scott makes a valuable contribution to our understanding of the interrelationships between style and ideology and, through his projection of a critical musicology, provides a timely, stimulating, and thought-provoking response to the endless discourse surrounding music and musicology.

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