French Organ Music from the Revolution to Franck and Widor
From the Revolution to Franck and Widor
Series: Eastman Studies in Music; 5;
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Product details:
- Publisher University of Rochester Press
- Date of Publication 1 October 1995
- Number of Volumes Print PDF
- ISBN 9781580460712
- Binding Paperback
- No. of pages337 pages
- Size 228x152x26 mm
- Weight 518 g
- Language English
- Illustrations 15 b/w illus. Illustrations, black & white 0
Categories
Short description:
Essays by prominent scholars and organists examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-practice traditions developed and became codified.
MoreLong description:
Essays by prominent scholars and organists examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-practice traditions developed and became codified. Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-BoÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂëly, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements of Aristide CavaillÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂé-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked. Contributors: Kimberley Marshall, William J. Peterson,Benjamin van Wye, Craig Cramer, Jesse E. Eschbach, Karen Hastings-Deans, Marie-Louise Jaquet-Langlasi, Daniel Roth, Edward Zimmerman, Lawrence Archbold, Rollin Smith
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