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    French Cinema: A Very Short Introduction

    French Cinema by Andrew, Dudley;

    A Very Short Introduction

    Series: Very Short Introductions;

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    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
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    Product details:

    • Publisher OUP Oxford
    • Date of Publication 26 October 2023

    • ISBN 9780198718611
    • Binding Paperback
    • No. of pages192 pages
    • Size 175x112x11 mm
    • Weight 158 g
    • Language English
    • Illustrations 15 black and white images
    • 548

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    Short description:

    It is often claimed that the French invented cinema, and although their prominence may have been supplanted by Hollywood today, the French film industry remains both prolific and highly lauded. Exploring the entire French cinematic oeuvre, Andrew teases out the distinguishing themes, to bring the defining features of French cinema to light.

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    Long description:

    It is often claimed that the French invented cinema. Dominating the production and distribution of cinema until World War 1, when they were supplanted by Hollywood, the French cinema industry encompassed all genres, from popular entertainment to avant-garde practice. The French invented the "auteur" and the "ciné-club"; they incubated criticism from the 1920s to our own day that is unrivalled; and they boast more film journals, fan magazines, TV shows, and festivals devoted to film than anywhere else.

    This Very Short Introduction opens up French cinema through focusing on some of its most notable works, using the lens of the New Wave decade (1958-1968) that changed cinema worldwide. Exploring the entire French cinematic oeuvre, Dudley Andrew teases out distinguishing themes, tendencies, and lineages, to bring what is most crucial about French Cinema into alignment. He discusses how style has shaped the look of female stars and film form alike, analysing the "made up" aesthetic of many films, and the paradoxical penchant for French cinema to cruelly unmask surface beauty in quests for authenticity. Discussing how French cinema as a whole pits strong-willed characters against auteurs with high-minded ideas of film art, funded by French cinema's close rapport to literature, painting, and music, Dudley considers how the New Wave emerged from these struggles, becoming an emblem of ambition for cinema that persists today. He goes on to show how the values promulgated by the New Wave directors brought the three decades that preceded it into focus, and explores the deep resonance of those values today, fifty years later.



    ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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    Table of Contents:

    Introduction
    The 'makeup' of French film and its demaquillage: Jeanne Moreau
    The insurgency of the authentic and the regime of strong fathers : Jean Gabin
    Renoir and Bresson: two incomparable sources
    An intellectual cinema looks back to tradition and forward to the end of history
    The school of the New Wave and the lessons it has taught
    Further reading
    Index

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