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  • Film Authorship in Contemporary Transmedia Culture: The Paratextual Lives of Asian Auteurs

    Film Authorship in Contemporary Transmedia Culture by Promkhuntong, Wikanda;

    The Paratextual Lives of Asian Auteurs

    Series: Transmedia;

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      • Publisher's listprice GBP 42.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        20 538 Ft (19 560 Ft + 5% VAT)
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      • Discounted price 16 430 Ft (15 648 Ft + 5% VAT)

    20 538 Ft

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    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 1 December 2025

    • ISBN 9781041179320
    • Binding Paperback
    • No. of pages270 pages
    • Size 234x156 mm
    • Language English
    • 700

    Categories

    Short description:

    The book draws on the notion of paratext and its related term – palimpsest – to bring forth the idea of self-reflexive authorship as a method of examining the mediated past, present, and afterlife of East Asian filmmakers.

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    Long description:

    Film Authorship in Contemporary Transmedia Culture: The Paratextual Lives of Asian Auteurs examines film authorship in the transmedia era whereby film directors have become public figures through a wide range of textual, material, and performative practices. The book draws on the notion of paratext and its related term – palimpsest – to bring forth the idea of self-reflexive authorship as a method of examining the mediated past, present, and afterlife of East Asian filmmakers. The first part of the book pays attention to materials surrounding film festivals, multi-platform distribution, and cinephile/fan creative practices, which have been created, rewritten, and shared to foster and problematize the reputations of selected filmmakers. The second part examines alternative modes of self-projections and creative productions that address the filmmakers’ sense of selves and relations with the industry and the public. Across different chapters, discourses surrrounding film authorship and East Asian cinema are revisited and expanded to highlight its multiple histories and possible futures.

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    Table of Contents:

    Acknowledgements, Introduction, Part I East Asian Film Authorship, Transmedia Spaces, and Paratextual Economies, Part II Text, Body, and Performance among East Asian Star-Auteurs, Conclusion, Filmography, Bibliography, About the author, Index

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