Fiction and Narrative
- Publisher's listprice GBP 86.00
-
38 829 Ft (36 980 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 3 883 Ft off)
- Discounted price 34 946 Ft (33 282 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
38 829 Ft
Availability
printed on demand
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher OUP Oxford
- Date of Publication 24 April 2014
- ISBN 9780199647019
- Binding Hardback
- No. of pages180 pages
- Size 223x155x18 mm
- Weight 360 g
- Language English 0
Categories
Short description:
Do fictions depend upon imagination? Derek Matravers argues against the mainstream view that they do, and offers an original account of what it is to read, listen to, or watch a narrative. He downgrades the divide between fiction and non-fiction, largely dispenses with the imagination, and in doing so illuminates a succession of related issues.
MoreLong description:
For the past twenty years there has been a virtual consensus in philosophy that there is a special link between fiction and the imagination. In particular, fiction has been defined in terms of the imagination: what it is for something to be fictional is that there is some requirement that a reader imagine it. Derek Matravers argues that this rests on a mistake; the proffered definitions of 'the imagination' do not link it with fiction but with representations more generally. In place of the flawed consensus, he offers an account of what it is to read, listen to, or watch a narrative whether that narrative is fictional or non-fictional. The view that emerges, which draws extensively on work in psychology, downgrades the divide between fiction and non-fiction and largely dispenses with the imagination. In the process, he casts new light on a succession of issues: on the 'paradox of fiction', on the issue of fictional narrators, on the problem of 'imaginative resistance', and on the nature of our engagement with film.
An excellent, ambitious book, there is no doubt that Fiction and Narrative Narrative will make many of us think a little harder about these two pesky categories.
Table of Contents:
Introduction
Walton on Fiction
Fiction and the Imagination
The Real Distinction
Understanding Narratives
Engaging with Narratives
Narrative and Belief
The (so-called) Paradox of Fiction
Narrators, Impossible Fictions, and the 'Fictionality Puzzle'
Coda: Film
