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  • Ficino and Fantasy: Imagination in Renaissance Art and Theory from Botticelli to Michelangelo

    Ficino and Fantasy by van den Doel, Marieke J.E.;

    Imagination in Renaissance Art and Theory from Botticelli to Michelangelo

    Series: Aries Book Series; 29;

      • GET 8% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice EUR 174.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        72 166 Ft (68 730 Ft + 5% VAT)
      • Discount 8% (cc. 5 773 Ft off)
      • Discounted price 66 393 Ft (63 232 Ft + 5% VAT)

    72 166 Ft

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    Product details:

    • Publisher BRILL
    • Date of Publication 9 December 2021

    • ISBN 9789004459670
    • Binding Hardback
    • No. of pages370 pages
    • Size 235x155 mm
    • Weight 845 g
    • Language English
    • 0

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    Short description:

    Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? This book starts with an exploration of Ficino?s views on the imagination and discusses whether, how and why these ideas may have been received in Italian Renaissance works of art.

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    Long description:

    Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? Art historians have been fiercely debating this question for decades. This book starts with Ficino?s views on the imagination as a faculty of the soul, and shows how these ideas were part of a long philosophical tradition and inspired fresh insights.
    This approach, combined with little known historical material, offers a new understanding of whether, how and why Ficino?s Platonic conceptions of the imagination may have been received in the art of the Italian Renaissance. The discussion explores Ficino?s possible influence on the work of Botticelli and Michelangelo, and examines the appropriation of Ficino?s ideas by early modern art theorists.

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