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  • Exposing the Film Apparatus: Global Laboratory Perspectives

    Exposing the Film Apparatus by Fossati, Giovanna; Oever, Annie van den;

    Global Laboratory Perspectives

    Series: Framing Film;

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      • Publisher's listprice GBP 128.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        61 152 Ft (58 240 Ft + 5% VAT)
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      • Discounted price 48 922 Ft (46 592 Ft + 5% VAT)

    61 152 Ft

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    Product details:

    • Edition number 1
    • Publisher Amsterdam University Press
    • Date of Publication 2 February 2026

    • ISBN 9789048568260
    • Binding Hardback
    • No. of pages392 pages
    • Size 234x156 mm
    • Weight 666 g
    • Language English
    • Illustrations 34 Illustrations, black & white
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    Short description:

    This book addresses the growing awareness of the historical collections of film and media devices in film archives and media museums. Over thirty experts reflect on the prominent roles media technologies play in a range of social, cultural, curatorial, and educational practices as well as in storage, presentation, and research strategies.

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    Long description:

    This book addresses the growing awareness of the historical collections of film and media devices in film archives and media museums. Over thirty experts reflect on the prominent roles media technologies play in a range of social, cultural, curatorial, and educational practices as well as in storage, presentation, and research strategies, looking beyond the more customary range of debates to consider postcolonial issues and include voices from the Global South. Together their contributions investigate how media awareness impacts not only the strategies of media use, but also the archival and curatorial consciousnesses of those working in film and media archives, and at science, technology and media museums, as well as educationists, filmmakers and audiences in general.

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    Table of Contents:

    Acknowledgements Introduction - Giovanna Fossati and Annie van den Oever PROLOGUE 1. The Moving Image Archive as Research Laboratory Ten Years On - Giovanna Fossati and Christian Olesen 2.On Teaching Media in the Apparatus Archive, Hands-On - Annie van den Oever PART I SMALL AND PORTABLE 3. Camera Obscura - Tom Gunning 4. The “Bande-Cache,” or: The Material Art of Light Filters - Miriam De Rosa, Andrea Mariani and Warshadfilm 5. Teaching from the Archive in Black-and-White 35mm: Analogue Nostalgia in Post-Apartheid South Africa - Landi Raubenheimer and Bongani J. Khoza 6. Socio-Technological Margins as Research Topic for Media Archaeology - Liri Chapelan 7. How to Re-Activate the Endangered Archive of a Historical Science Film Festival: A Speculative Approach - Silvia Casini 8. The Kinora as an Intermedial Dispositif of Early Twentieth-Century Home Cinema - Tim van der Heijden 9. The Homemade Film Projector - Guy Edmonds 10. Amateur Archaeologies and Hybrid Thinkering with the Kodak Reels Film Digitizer - Sanna McGregor 11. Double Vision: William Kentridge and the Stereoscope - Josef van Wyk PART II MEDIUM AND NOT EASILY PORTABLE 12. The Mazo Cinématographe Mixte: A Hybrid Media Apparatus - Frank Kessler and Sabine Lenk 13. Bending Efforts and Beams: The Use of the CRT Projector in Video Art Installations - Evelyne Snijders and Ellen Jansen 14. A Projectionist and his Percepto: Personal Archives and Embodied Film Education - Keith Bennie 15. The LAPA Scanner and the Possibilities for Sovereign Film Preservation - Carolina Cappa and Isabel Wschebor 16. Nostalgia: Emulation as a Service - Seán Cubitt 17. Caring for Obsolete Technology “in the Wild”: Former Users as Caregivers in the Maintenance and Repair of the U-Matic Video System - Sergio Minniti 18. The Anabasis of Super 8 - Gülce Özkara PART III LARGE 19. Film Inspection Tables as Historical, Operational and Learning Devices - Simone Venturini 20. Jan Bot: Exposing the Bits & Pieces Collection Using AI and Algorithmic Montage - Pablo Núñez Palma 21. Moving on a Budget: The Mahlase-Roodt Eco Dolly - Tumisho Mahlase and Waldo Roodt 22. Rear Projection in Brazilian Silent Movie Theatres: Sobrados, Wet Screens and Alternative Media History - Rafael de Luna Freire 23. Empowerment or Digital Colonialism? Indigenous Virtual Reality in Colombia’s Sierra Nevada de Santa Marta - Andrew Simon Tucker 24. Sensing Film Archival Data: The Film Catcher - Christian Gosvig Olesen 25. Ancestral Images, Cultural Protocols and the Politics of Digital Storage: Restricted Storage at the National Film and Sound Archive of Australia - Nikolaus Perneczky

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