Experimental Music and Japanese Aesthetics
Silence, Nature, and Hollow Listening
Series: Bloomsbury Introductions to World Philosophies;
- Publisher's listprice GBP 55.00
-
24 832 Ft (23 650 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 20% (cc. 4 966 Ft off)
- Discounted price 19 866 Ft (18 920 Ft + 5% VAT)
- Discount is valid until: 30 June 2026
Subcribe now and take benefit of a favourable price.
Subscribe
24 832 Ft
Availability
Not yet published.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Bloomsbury Publishing (UK)
- Date of Publication 20 August 2026
- ISBN 9781350549043
- Binding Hardback
- No. of pages264 pages
- Size 216x138 mm
- Language 700
Categories
Short description:
A rich, interdisciplinary discourse on the role of silence, nature, and experimental music that offers a new way of think about collective future.
MoreLong description:
A rich, interdisciplinary exploration of music through Japanese aesthetics that calls for a new way to think about nature and the role of silence.
The art, aesthetics, and philosophies of medieval Japan and its contemporary Kyoto School lie at the centre of this book. Daryl Jamieson applies East Asian aesthetics, rooted in nature and ways of being that are very different from those of late-capitalist subjects, to critique contemporary experimental music from both Japan and the western world.
Introducing the unique features of Japanese aesthetics, Jamieson connects it to the North American music tradition that includes John Cage and his deep interest in Zen and Fluxus artists such as Yoko Ono. His original interpretation of sound constructs a new way of being in the world, showing how we can cultivate a more ethical way of hearing which is grounded in our environment.
This is a treatise for an aesthetics grounded in Buddhism and a music based on the ethics of respect for the environment. For anyone interested in cross-cultural interpretations of art and reality, it tells us why listening to difficult, challenging and obscure music matters in our present era of crises.
Table of Contents:
Introduction: Semiotics and soteriology of sound in the Capitalocene
1. No Sound: On Silences
2. Ueda and the Hollow Expanse
3. Shunzei and Nature/Culture Palimpsests
4. Fiction and Non-fiction in Field Recording
5. Soundwalking
6. Zenchiku and the Promise of Non-Anthropocentric Art
7. Future Silences
Afterwords
Bibliography
Index
