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  • Evelyn Glennie: Sound Creator

    Evelyn Glennie: Sound Creator by Hughes, Georgina;

      • GET 20% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 95.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        45 386 Ft (43 225 Ft + 5% VAT)
      • Discount 20% (cc. 9 077 Ft off)
      • Discounted price 36 309 Ft (34 580 Ft + 5% VAT)

    45 386 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Boydell & Brewer Ltd
    • Date of Publication 24 September 2024
    • Number of Volumes Print PDF

    • ISBN 9781837650675
    • Binding Hardback
    • No. of pages286 pages
    • Size 234x156 mm
    • Weight 576 g
    • Language English
    • Illustrations 14 music exx. and 15 b/w illus.
    • 590

    Categories

    Short description:

    A case study of a pioneering musician and an interdisciplinary appraisal of the larger social role of the artist.

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    Long description:

    A case study of a pioneering musician and an interdisciplinary appraisal of the larger social role of the artist. Dame Evelyn Glennie (b.1965) is the world's first full-time solo multi-percussionist, a sound creator and expert listener whose work continues to expand and diversify the remit of the contemporary performer in the twenty-first century. This book presents the first comprehensive study of Glennie's contribution to the evolution of an eclectic, experimental and fascinating instrumental discipline which wilfully eludes standardization. Glennie's sound journey also resonates in contexts extending beyond the discipline of music. She is a prominent female role model, an entrepreneur, a business and brand, a philanthropist and a profoundly deaf performer who has reframed discourse on what it means to truly listen. This book is both a case study of one pioneering musician and an interdisciplinary appraisal of the larger social role of the artist. An important reference source for percussionists, it is also intended to serve as a means of allowing the interested reader to engage with a medium that has become the heartbeat of contemporary culture.

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    Table of Contents:

    "Introduction ""I shall just have to try harder to convince you."" Glennie's Early Career Chapter 1. ""Of course, I just assumed that the world was full of solo percussionists."" The Ascendance of Solo Multi-Percussion Performance Chapter 2. ""I just basically followed my own instincts."" Diversification, Improvisation and Collaboration Chapter 3. ""I'm simply a person who wants to encourage females to do whatever they want to do."" The Issue of Gender Chapter 4. ""I'm not a deaf musician. I'm a musician who happens to be deaf."" Inclusion Chapter 5. ""I hope the seeds I have sown will be taken up by those who follow me."" Legacy: A Series of New Beginnings Conclusion ""To Teach the World to Listen"" Appendix 1: Concerto Commissions Appendix 2: Solo Commissions Bibliography Videography and Audio Resources Index"

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