Ethics at the Cinema
- Publisher's listprice GBP 35.99
-
17 194 Ft (16 375 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 1 719 Ft off)
- Discounted price 15 474 Ft (14 738 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
17 194 Ft
Availability
printed on demand
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher OUP USA
- Date of Publication 3 February 2011
- ISBN 9780195320404
- Binding Paperback
- No. of pages352 pages
- Size 155x231x25 mm
- Weight 454 g
- Language English 0
Categories
Short description:
This volume of contributed, previously unpublished essays focuses on general theoretical, meta-ethical, and aesthetic issues in philosophy and the ways in which they manifest themselves in film.
MoreLong description:
The editors of Ethics at the Cinema invited a diverse group of moral philosophers and philosophers of film to engage with ethical issues raised within, or within the process of viewing, a single film of each contributor's choice. The result is a unique collection of considerable breadth. Discussions focus on both classic and modern films, and topics range from problems of traditional concern to philosophers (e.g. virtue, justice, and ideals) to problems of traditional concern to filmmakers (e.g. sexuality, social belonging, and cultural identity).
superb anthology ... insightful, compelling, and highly readable compilation of essays
Table of Contents:
'Philosophy and the Ethical Significance of Spectatorship: An Introduction to Ethics at the Cinema'
Part 1: Critique, Character, and the Power of Film
Andrew Gleeson, 'The Secrets and Lies of Film'
Stephen Williams, 'Propaganda and Artistic Merit: The Case of Colonel Blimp'
Murray Smith, 'Just What Is It That Makes Tony Soprano Such an Appealing, Attractive Murderer?'
Ward E. Jones, 'Partiality and Transgressive Comedy: Making Sense of our Amusement at His Girl Friday'
Part 2: Philosophical Readings
Ethics and Social Being
Tom Martin, 'Reason, Absurdity, and Anti-Semitism in The Believer'
Paul C. Taylor, ''Melting Whites and Liberated Latinas: Identity, Fate, and Character in Fools Rush In'
Samantha Vice, 'Lighthouses in a Foggy World': Ideals in Frank Capra's Meet John Doe
Peter Goldie, 'La Grande Illusion as a Work of Art'
Larry Blum, 'A Crash Course on Personal Racism'
Ethics and Personal Relationships
Karen Hanson, 'Love and Friendship in the Balance: The Case of Jules et Jim'
Torbjörn Tännsjö, 'Sophie's Choice'
Joseph Kupfer, 'Dangerous Liaisons: Love, Letters, and Lessons in Sexual Ethics'
Julia Driver, 'Justice, Mercy, and Friendship in The Third Man'
Deborah Knight, 'The Third Man: Ethics, Aesthetics, Irony'
Thomas Wartenberg, 'Moral Intelligence and the Limits of Loyalty: The Third Man as Philosophy'