Enacting the Worlds of Cinema
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Product details:
- Publisher OUP USA
- Date of Publication 8 July 2022
- ISBN 9780197555101
- Binding Hardback
- No. of pages216 pages
- Size 157x229x22 mm
- Weight 454 g
- Language English 277
Categories
Short description:
Enacting the Worlds of Cinema offers a substantial reconfiguration of the textual roots of modern film narratology. By giving sustained attention to cinema's material-affective modes of communicating its stories and embedding its audience in atmospheric, kinetic, and multisensorial worlds, this book maintains that film narratives are less representations than they are enactments; brought forth through the interactions of the felt body and the film material.
MoreLong description:
Enacting the Worlds of Cinema offers a substantial reconfiguration of the textual roots of modern film narratology. By giving sustained attention to cinema's material-affective modes of communicating its stories and embedding its audience in atmospheric, kinetic, and multisensorial worlds, this book maintains that film narratives are less representations than they are enactments; brought forth through the interactions of the felt body and the film material. The book defends this enactive and media-anthropological thesis by reworking a series of established film narratological key concepts including the diegesis, mood/atmosphere, and the distinction between diegetic and non-diegetic sound. In the process, this book draws on a wide range of contemporary theoretical resources such as affective neuroscience, media-philosophy, philosophy of mind, atmosphere research, multisensory perception theory as well as a broad selection of films including Berlin: Symphony of a Great City (Ruttmann, 1927), The Cranes are Flying (Kalatozov, 1957) and Happy as Lazzaro (Rohrwacher, 2018).
Moving within and between disciplines, traditions and paradigms with impressive erudition ? and challenging overly simplistic cognitive and affective oppositions at every turn ? this study establishes Hven as an original and powerful voice in the expanding theory of cinematic worlds, environments and atmospheres.
Table of Contents:
Acknowledgements
Introduction
Chapter 1: The Diegesis as Environment: A New Theory of Film Worlds
Chapter 2: The Atmospheric Worlds of Cinema
Chapter 3: Narrative Experientiality and Affect
Chapter 4: The Moving Camera and the Motor-Affective Arrangement of Films
Chapter 5: Narratives Spaces and Sonic Environments
Afterword
Index
