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  • Economy of Identities in Traditional Chinese Theatre

    Economy of Identities in Traditional Chinese Theatre by Révész, Ágota;

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      • Publisher's listprice EUR 128.39
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        54 193 Ft (51 612 Ft + 5% VAT)
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    54 193 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

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    Product details:

    • Edition number 2024
    • Publisher Palgrave Macmillan
    • Date of Publication 19 November 2024
    • Number of Volumes 1 pieces, Book

    • ISBN 9789819774623
    • Binding Hardback
    • No. of pages226 pages
    • Size 210x148 mm
    • Language English
    • Illustrations 1 Illustrations, black & white
    • 722

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    Short description:

    The book is intended to become a useful reference for theatre people who need ?China knowledge?. Its central questions are: how is traditional Chinese theatre (?Chinese opera?, i.e. xiqu) embedded in contemporary Chinese society? What identities are created through theatre? And, most importantly: how are these identities related to one another to form a complex ?economy of identities?? An insight is offered into the traditional Chinese theatre system composed of over three hundred theatre types vying for recognition in a complex relational network. Understanding how this ?relationality? works might also shed light on the functioning of other fields in the current socio-cultural complex of China. 



    Ágota RÉVÉSZ studied sinology and stage direction. She researches Chinese theatre, cultural diplomacy, narratives and media.

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    Long description:

    The book is intended to become a useful reference for theatre people who need ?China knowledge?. Its central questions are: how is traditional Chinese theatre (?Chinese opera?, i.e. xiqu) embedded in contemporary Chinese society? What identities are created through theatre? And, most importantly: how are these identities related to one another to form a complex ?economy of identities?? An insight is offered into the traditional Chinese theatre system composed of over three hundred theatre types vying for recognition in a complex relational network. Understanding how this ?relationality? works might also shed light on the functioning of other fields in the current socio-cultural complex of China. 

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    Table of Contents:

    Chapter 1: Xiqu and Cultural Identity.- Chapter 2: Mobility Dynamics.- Chapter 3: Narratives.- Chapter 4: The National Essence: Jingju.- Chapter 5: The Mother of All Xiqus: Kunqu.

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