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  • Early Music History: Volume 20: Studies in Medieval and Early Modern Music

    Early Music History: Volume 20 by Fenlon, Iain;

    Studies in Medieval and Early Modern Music

    Series: Early Music History; 20;

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      • Publisher's listprice GBP 167.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        79 784 Ft (75 985 Ft + 5% VAT)
      • Discount 10% (cc. 7 978 Ft off)
      • Discounted price 71 806 Ft (68 387 Ft + 5% VAT)

    79 784 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Cambridge University Press
    • Date of Publication 8 April 2002

    • ISBN 9780521807739
    • Binding Hardback
    • No. of pages330 pages
    • Size 237x158x22 mm
    • Weight 675 g
    • Language English
    • Illustrations 100 music examples
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    Short description:

    Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century.

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    Long description:

    Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume twenty include: Encompassing past and present: quotations and their function in Machaut's motets; The Vatican organum treatise re-examined; Who 'made' the Magnus liber?

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    Table of Contents:

    1. Encompassing past and present: quotations and their function in Machuat's motets Jacques Boogaart; 2. The footnote quarrels of the modal theory: a remarkable episode in the reception of medieval music John Haines; 3. The Vatican organum treatise re-examined Steven C. Immel; 4. A new look at Old Roman chant - II Kenneth Levy; 5. Ludwig Senfl and the Judas trope: composition and religious toleration at the Bavarian court Rebecca Wagner Oettinger; 6. Who 'made' the Magnus liber? Edward H. Roesner; Reviews.

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