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  • Early Music History: Studies in Medieval and Early Modern Music

    Early Music History by Fenlon, Iain;

    Studies in Medieval and Early Modern Music

    Series: Early Music History; Volume 3; 3;

      • GET 20% OFF

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      • Publisher's listprice GBP 32.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        15 288 Ft (14 560 Ft + 5% VAT)
      • Discount 20% (cc. 3 058 Ft off)
      • Discounted price 12 230 Ft (11 648 Ft + 5% VAT)

    15 288 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number and title Volume 3
    • Publisher Cambridge University Press
    • Date of Publication 19 March 2009

    • ISBN 9780521104302
    • Binding Paperback
    • No. of pages220 pages
    • Size 229x152x13 mm
    • Weight 330 g
    • Language English
    • 0

    Categories

    Short description:

    Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century.

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    Long description:

    Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume three include: The Venetian privilege and music-printing in the sixteenth century; Francesco Landini and the Florentine cultural elite; and the Beneventan apostrophus in south Italian notation, AD 1000-1100.

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    Table of Contents:

    1. The Venetian privilege and music-printing in the sixteenth century Richard J. Agee; 2. The Beneventan apostrophus in south Italian notation, AD 1000-1100 John Boe; 3. A newly discovered Trecento fragment: scribal concordances in late-medieval Florentine manuscripts Mario Fabbri and John Nadas; 4. Francesco Landini and the Florentine cultural elite Michael P. Long; 5. New evidence for the biographies of Andrea and Giovanni Gabrieli Martin Morell; 6. New sources of English fourteenth- and fifteenth-century polyphony Roger Bowers and Andrew Wathey; Index.

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