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  • Early Medieval Art

    Early Medieval Art by Nees, Lawrence;

    Series: Oxford History of Art;

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      • Publisher's listprice GBP 24.49
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        11 700 Ft (11 142 Ft + 5% VAT)
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      • Discounted price 10 529 Ft (10 028 Ft + 5% VAT)

    11 700 Ft

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    Product details:

    • Publisher OUP Oxford
    • Date of Publication 25 April 2002

    • ISBN 9780192842435
    • Binding Paperback
    • No. of pages274 pages
    • Size 240x160x17 mm
    • Weight 648 g
    • Language English
    • Illustrations numerous colour and halftones
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    Short description:

    Exploring issues of artist patronage, luxury craftsmanship, holy men and women, the decorated word, monasteries, secular courts, and the expressive and didactic roles of artistic creation, Lawrence Nees presents early Christian art within the late Roman tradition and the arts of the newly established kingdoms of northern Europe not as opposites, but as different aspects of a larger historical situation. This approach reveals the onset of an exciting new visual relationship between the church and the populace throughout medieval Europe, restoring a previously marginalized subject to a central status in our artistic and cultural heritage.

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    Long description:

    The first millennium saw a rich and distinctive artistic tradition form in Europe. While books had long been central to the Christian religious tradition, education, and culture, they now became an important artistic medium, sometimes decorated with brilliant colours and precious metals.

    Lawrence Nees explores issues of artist patronage, craftsmanship, holy men and women, monasteries, secular courts, and the expressive and educational roles of artistic creation. He discusses early Christian art within the late Roman tradition, and the arts of the newly established kingdoms of northern Europe not as opposites, but as different aspects of a larger historical situation. This approach reveals the onset of an exciting new visual relationship between the church and the populace throughout medieval Europe, restoring a previously marginalized subject to a central status in our artistic and cultural heritage.

    Nee's volume belongs on all our shelves

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    Table of Contents:

    Introduction
    The Roman Language of Art
    Earliest Christian Art
    Conversion
    Art for Aristocrats
    Endings and Beginnings
    Craftsmanship and Artistry
    Saints and Holy Places
    Holy Images
    Word and Image
    Art at the Court
    Expressive and Didactic Images
    Towards a New Age
    Conclusion
    Notes
    Timeline
    Further Reading
    Museums and Websites
    List of Illustrations
    Index

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