Dave Brubeck and the Performance of Whiteness
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Product details:
- Publisher OUP USA
- Date of Publication 4 May 2023
- ISBN 9780197525074
- Binding Hardback
- No. of pages320 pages
- Size 164x237x29 mm
- Weight 590 g
- Language English
- Illustrations 15 photographs and archival images 409
Categories
Short description:
In Dave Brubeck and the Performance of Whiteness, author Kelsey Klotz considers how Dave Brubeck, a pivotal jazz musician and public figure, represents manifestations of whiteness in mid-century America.
MoreLong description:
How can we--jazz fans, musicians, writers, and historians--understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America.
Dave Brubeck and the Performance of Whiteness uses Brubeck's performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America. How is whiteness performed and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener's mind, filter the sounds a listener hears? To what extent was Brubeck's whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck's critics, audiences, and Brubeck himself. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries.
Informative!
Table of Contents:
Introduction: Buying the Myth
Chapter 1: "Any Jackass Can Swing": Sounds in Black and White
Chapter 2: Professors, Housewives, and Playboys: The Jazz Converts
Chapter 3: (In)Visible Men: White Recognition and Trust
Chapter 4: "We Want to Play in the South": Brubeck's Southern Strategy
Chapter 5: Negotiating Jewish Identity in The Gates of Justice
Conclusion: Evading Whiteness
