Cross-Cultural Musicology from Asia-Pacific Perspectives
Entangled Histories
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Product details:
- Edition number 1
- Publisher Routledge
- Date of Publication 10 August 2026
- ISBN 9781041321101
- Binding Hardback
- No. of pages296 pages
- Size 229x152 mm
- Language English
- Illustrations 13 Illustrations, black & white; 8 Halftones, black & white; 5 Line drawings, black & white 700
Categories
Short description:
This book brings together thirteen scholars to consider what it means to teach, research, write and talk about music history in the context of globalization. It is divided into essays with a more critical and theoretical emphasis (part 1) and more practically oriented chapters (part 2), with case studies and a discussion of methods.
MoreLong description:
Cross-Cultural Musicology from Asia-Pacific Perspectives brings together thirteen scholars to consider what it means to teach, research, write and talk about music history in the context of globalization. The book is divided into essays with a more critical and theoretical emphasis (Part 1) and more practically oriented chapters (Part 2), with case studies and a discussion of methods. Bringing together scholars in historical musicology, historical performance practice, and cultural studies from across four continents, this book models diverse ways of carrying out cross-cultural musicology. Cross-Cultural Musicology from Asia-Pacific Perspectives will be of interest to scholars and teachers of ethnomusicology and music history, as well as those concerned with the particular context and history of the Asia-Pacific region.
MoreTable of Contents:
Introduction
Part I: Theories
1. Reflections on Complexities in Contemplating Global Music History, 2. Alternative Histories of Twentieth-Century Music: On synchronization and entanglement as historiographical methods, 3. Mediterranean Voices: Music History in Today’s Plural Societies, 4. Asia as Method: Early Twentieth-Century Asianism and the Writing of Music History, 5. Overcoming Asymmetry: Repositioning East Asian Musics, 6. Cross-Colonial Counterpoint: Korean and Taiwanese Music in Transimperial Entanglement, 7. Nationalism or National Indifference?: Western Music Historiographies in Japan
Part II: Practices
8. Computational Methods and Approaches for a Global Music History, 9. Real and Imagined Musical Journeys: Historical Performance, Voyages,
and Crossover Projects, 10. Life History of Objects: The Case of a “Scene in the Principal Chinese Theatre, San Francisco” , 11. Cross-cultural interactions of different eras: Fieldwork and music education spaces in contemporary India , 12. Getting Your Own Back: Cross-Cultural Movement of Intangible Valuables in Aboriginal Australia, 13. Current currents in ethnomusicology: Aukilani, Pasifika, Aotearoa New Zealand decantations
