Cross the Water Blues – African American Music in Europe
African American Music in Europe
Series: American Made Music Series;
- Publisher's listprice GBP 26.99
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12 894 Ft (12 280 Ft + 5% VAT)
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12 894 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
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Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher MP–MPP University Press of Mississippi
- Date of Publication 28 February 2010
- Number of Volumes Paperback
- ISBN 9781604735468
- Binding Paperback
- No. of pages302 pages
- Size 228x152x17 mm
- Weight 333 g
- Language English 0
Categories
Short description:
Examines the flow of African American music and musicians across the Atlantic to Europe from the time of slavery to the twentieth century. In a sweeping examination of different musical forms - spirituals, blues, jazz, skiffle, and orchestral music - the contributors consider the reception and influence of black music on a number of different European audiences.
MoreLong description:
This unique collection of essays examines the flow of African American music and musicians across the Atlantic to Europe from the time of slavery to the twentieth century. In a sweeping examination of different musical forms--spirituals, blues, jazz, skiffle, and orchestral music--the contributors consider the reception and influence of black music on a number of different European audiences, particularly in Britain, but also France, Germany, and the Netherlands.
The essayists approach the subject through diverse historical, musicological, and philosophical perspectives. A number of essays document little-known performances and recordings of African American musicians in Europe. Several pieces, including one by Paul Oliver, focus on the appeal of the blues to British listeners. At the same time, these considerations often reveal the ambiguous nature of European responses to black music and in so doing add to our knowledge of transatlantic race relations.
Contributions from Christopher G. Bakriges, Sean Creighton, Jeffrey Green, Leighton Grist, Bob Groom, Rainer E. Lotz, Paul Oliver, Catherine Parsonage, Iris Schmeisser, Roberta Freund Schwartz, Robert Springer, Rupert Till, Guido van Rijn, David Webster, Jen Wilson, and Neil A. Wynn
Strategic Thinking: An Introduction and Farewell
25 299 HUF
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