Creating Games with Unreal Engine, Substance Painter, & Maya
Models, Textures, Animation, & Blueprint
- Publisher's listprice GBP 56.99
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28 842 Ft (27 469 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
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28 842 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Edition number 1
- Publisher CRC Press
- Date of Publication 12 January 2021
- ISBN 9780367512637
- Binding Paperback
- No. of pages826 pages
- Size 229x152 mm
- Weight 1640 g
- Language English
- Illustrations 3 Halftones, black & white; 4 Line drawings, black & white; 989 Line drawings, color 178
Categories
Short description:
This tutorial-based book allows readers to create a first-person game from start to finish using industry-standard (and free to student) tools of Maya, Substance Painter, and Unreal Engine.
MoreLong description:
Description:
This tutorial-based book allows readers to create a first-person game from start to finish using industry-standard (and free to student) tools of Maya, Substance Painter, and Unreal Engine. The first half of the book lays out the basics of using Maya and Substance Painter to create game-ready assets. This includes polygonal modeling, UV layout, and custom texture painting. Then, the book covers rigging and animation solutions to create assets to be placed in the game including animated first-person assets and motion-captured NPC animations. Finally, readers can put it all together and build interactivity that allows the player to create a finished game using the assets built and animated earlier in the book.
? Written by industry professionals with real-world experience in building assets and games.
? Build a complete game from start to finish.
? Learn what the pros use: construct all assets using the tools used at industries across the world.
? All software used are free to students.
? When complete, students will have a playable version of an FPS game.
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Jing Tian Li is a graduate of China?s Central Academy of Fine Arts and New York?s School of Visual Arts, where he earned an MFA in Computer Art. He currently is an Assistant Professor of 3D Animation & Game Design at the University of the Incarnate Word in San Antonio, Texas.
Kassandra Arevalo is an instructor of 3D Animation & Game Design at the University of the Incarnate Word in San Antonio, Texas. She previously worked as an animator at Immersed Games.
Matt Tovar is an industry veteran animator. He has worked at Naughty Dog, Infinity Ward, and Sony Interactive on such games as The Last of Us, Call of Duty: Modern Warfare, and most recently Marvel?s Avengers with Crystal Dynamics. He is an Assistant Professor of 3D Animation at the University of the Incarnate Word in San Antonio, Texas.
MoreTable of Contents:
Chapter 1 Maya Modeling ... 1
Chapter 2 Maya Set UV ... 57
Chapter 3 Set Texturing ... 91
Chapter 4 Level Asset Creation ... 133
Chapter 5 Level Creation ... 189
Chapter 6 Lighting and Baking ... 243
Chapter 7 Character Modeling ... 265
Chapter 8 Character UV mapping ... 321
Chapter 9 Texture Painting ... 343
Chapter 10 Rigging ... 391
Chapter 11 Animation in Maya ... 435
Chapter 12 Unreal Character Asset Creation ... 463
Chapter 13 Basics of Programming ... 487
Chapter 14 Player Character ... 527
Chapter 15 Weapons ... 551
Chapter 16 Health and Damage ... 615
Chapter 17 Inventory and UI ... 635
Chapter 18 Security Camera ... 681
Chapter 19 Patrolling AI ... 717
Chapter 20 Boss ... 751
Chapter 21 Audio and VFX ... 769
Chapter 22 Packaging ... 785
More
