• Contact

  • Newsletter

  • About us

  • Delivery options

  • Prospero Book Market Podcast

  • Contemporary Art and Other Obstructions

    Contemporary Art and Other Obstructions by Geczy, Adam; Cruickshank, Alan;

      • GET 13% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 85.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        40 608 Ft (38 675 Ft + 5% VAT)
      • Discount 13% (cc. 5 279 Ft off)
      • Discounted price 35 330 Ft (33 647 Ft + 5% VAT)

    40 608 Ft

    db

    Availability

    Not yet published.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Bloomsbury Publishing (UK)
    • Date of Publication 27 November 2025
    • Number of Volumes Hardback

    • ISBN 9781350383562
    • Binding Hardback
    • No. of pages296 pages
    • Size 236x162x22 mm
    • Weight 720 g
    • Language English
    • Illustrations 45 bw illus
    • 700

    Categories

    Long description:

    What is the position of art in contemporary culture, where it is threatened by an ever-greater diversity of media, discourses, practices, genres and forms? Contemporary Art and Other Obstructions sets out to answer this through exploring art and social agency, communication, the problem of Biennales and other major events, and the shadow of postcolonialism as it hangs over art and indigeneity.

    Produced over the last two decades, the material gathered together here, and previously published only to a largely Australasian and Southeast Asian audience, is the product of a close collaboration between author Adam Geczy and editor Alan Cruickshank. With a new preface by the author and introduction by the editor, they have been adapted for an international audience, and re-edited for a critical engagement in the uneven and elusive notion that is contemporary art.

    More

    Table of Contents:

    "

    Introduction: Alan Cruickshank

    Part One: Tribulations of Global Art
    1. From Participatory Art to Participatory Criticism: The Big Noise
    2. Drained and Confused: Insistent Voice on ""The Contemporary""
    3. Touching Reality
    4. They don't make art like they used to: Late last year in the Wall Street Journal Camille Paglia mounted a frontal onslaught on contemporary art
    5. A dish served lukewarm
    6. Is there such a thing as global curating?
    7. Transorientalism and the pavilion attitude to attitude to race and identity
    8. The Australia Effect
    9. Spectres of Video: The Ends of Video Art
    10. Art and the loss of vision
    11. Metaresistance

    Part Two: The Art Institutions
    12. The New textuality for the Visual Arts: Entrenchment in the Academy
    13. The Sordid Fraud of Outsider Art
    14. Art is not Research
    15. Sanitised Situationism

    Part Three: Asia-Pacific Perspectives on the Biennale
    16. Regionality and Nationality
    17. Overdressed for the Prom
    18. Be Careful What You Wish For
    19. C'mon let's stick together. On collaboration, inclusion and consonance in the 18th Biennale of Sydney
    20. Art Apartheid in the South Pacific
    21. 'Biennale Baroque' Unveiling the 17th Biennale of Sydney
    22. Sex, revolution and circumlocution

    Part Four: Art and Indigeneity
    23. Who owns dots? Or, spirituality for the highest bidder, or, can you buy aura?
    24. In Whose House? Craig Walsh Embedded'
    25. Aboriginal Art Diagnostic

    Bibliography
    Index

    "

    More