Conrad and Impressionism
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Product details:
- Publisher Cambridge University Press
- Date of Publication 15 March 2001
- ISBN 9780521791731
- Binding Hardback
- No. of pages222 pages
- Size 237x159x20 mm
- Weight 490 g
- Language English 0
Categories
Short description:
In this 2001 book, John Peters investigates the impact of Impressionism on Conrad.
MoreLong description:
In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and depth not only in visually perceived phenomena but also in his narratives and objects of consciousness, be they physical objects, human subjects, events or ideas. Though traditionally thought of as a sceptical writer, Peters claims that through Impressionism Conrad developed a coherent and mostly traditional view of ethical and political principles, a claim he supports through reference to a broad range of Conrad's texts. Conrad and Impressionism investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views. The same core ideas concerning the nature of human experience run throughout his works.
'Conrad and Impressionism is packed with intelligent ad hoc insights into Conrad's writing through a close examination of the techniques that characterize his narratives.' Modern Language Review
Table of Contents:
Preface; Acknowledgments; List of abbreviations; Introduction: objects of consciousness in Conrad's impressionist world; 1. Subject/object: science and the epistemological origins of literary impressionism; 2. Objects and events in the 'primitive eye': the epistemology of objectivity; 3. Other-like-self and other-unlike-self: the epistemology of subjectivity; 4. 'Sudden holes' in time: the epistemology of temporality; 5. Radical relativism, epistemological certainty and ethical absolutes: Conrad's impressionist response to solopsism and anarchy; Epilogue; Notes; Selected bibliography; Index.
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