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    Comedy in Literature and Popular Culture: From Aristophanes to Saturday Night Live

    Comedy in Literature and Popular Culture by Morrison, James V.;

    From Aristophanes to Saturday Night Live

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      • Publisher's listprice GBP 135.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        68 323 Ft (65 070 Ft + 5% VAT)
      • Discount 10% (cc. 6 832 Ft off)
      • Discounted price 61 491 Ft (58 563 Ft + 5% VAT)

    68 323 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Short description:

    Comedy in Literature and Popular Culture explores works of comedy from the past 2,500 years. This vibrant study offers a compelling analyses of comedy as a mode, form, and genre.  It is an engaging read for students and scholars of comparative literature, literary history, and media studies, and theatre and performance.

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    Long description:

    Comedy in Literature and Popular Culture: From Aristophanes to Saturday Night Live explores works of comedy from the past 2,500 years.


    James V. Morrison discusses works including those of Aristophanes and Plautus, Shakespeare and Moliere, and modern comic writers, performers, and cartoonists, such as Thomas Nast, P. G. Wodehouse, Charlie Chaplin, and Jerry Seinfeld, asking the following questions:



    • Is comedy a mirror of our lives?  Is it ?funny ?cuz it?s true??  Or is it funny because it ignores reality? 

    • Should we distinguish between the plot of a comic play and the jokes found in it?  Are the jokes just there to make us laugh or are the jokes as essential as the plot? 

    • Do memories of satirical portrayals on the comic stage displace recollections of the historical person?

    By juxtaposing works from different cultures and time periods, the book demonstrates a universal recourse to certain familiar techniques, situations, and characters.


    This vibrant study offers a compelling analysis of comedy as a mode, form, and genre.  It is an engaging read for students and scholars of comparative literature, literary history, media studies, and theater and performance.

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    Table of Contents:


    Chapter One. The World of Comedy                                                                       


    Chapter Two. Comic Heroes in Aristophanes and Heller?s Catch-22                     


    Chapter Three. The Extreme Characters of Comedy                                               


    Chapter Four. Socrates, Memory, and the Power of Comedy                                  


    Chapter Five. Slaves, Masters, and Social Inversion                                                           


    Chapter Six. Surrealism, Politeness Theory, and Comic Twins in Plautus and Shakespeare


    Chapter Seven. Comedy in Tragedy: King Lear, The Bacchae, and Waiting for Godot


    Chapter Eight. Modern Performance of Ancient Comedy: Aristophanes? Frogs   


    Bibliography


    Index

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