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  • Cold War, Cool Medium: Television, McCarthyism, and American Culture

    Cold War, Cool Medium by Doherty, Thomas;

    Television, McCarthyism, and American Culture

    Series: Film and Culture (Hardcover);

      • GET 10% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 84.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        40 131 Ft (38 220 Ft + 5% VAT)
      • Discount 10% (cc. 4 013 Ft off)
      • Discounted price 36 118 Ft (34 398 Ft + 5% VAT)

    40 131 Ft

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    Product details:

    • Publisher Columbia University Press
    • Date of Publication 14 November 2003

    • ISBN 9780231129527
    • Binding Hardback
    • No. of pages320 pages
    • Size 236 x 164 mm
    • Language English
    • 0

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    Short description:

    Though conventional wisdom claims that television is a co-conspirator in the repressions of Cold War America, Doherty argues that during the Cold War, through television, America actually became a more tolerant place. He examines television programming and contemporary commentary of the late 1940s to the mid-1950s -- everything from See It Now to I Love Lucy, from Red Channels to the writings of Walter Winchell and Hedda Hopper. By rerunning the programs, freezing the frames, and reading between the lines, Doherty paints a picture of Cold War America that belies many black and white cliches.

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    Long description:

    Though conventional wisdom claims that television is a co-conspirator in the repressions of Cold War America, Doherty argues that during the Cold War, through television, America actually became a more tolerant place. He examines television programming and contemporary commentary of the late 1940s to the mid-1950s -- everything from See It Now to I Love Lucy, from Red Channels to the writings of Walter Winchell and Hedda Hopper. By rerunning the programs, freezing the frames, and reading between the lines, Doherty paints a picture of Cold War America that belies many black and white cliches.

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