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    Classical Traditions in Modern Fantasy

    Classical Traditions in Modern Fantasy by Rogers, Brett M.; Stevens, Benjamin Eldon;

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    Product details:

    • Publisher OUP USA
    • Date of Publication 23 February 2017

    • ISBN 9780190610050
    • Binding Hardback
    • No. of pages384 pages
    • Size 145x218x25 mm
    • Weight 590 g
    • Language English
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    Short description:

    Classical Traditions in Modern Fantasy presents fifteen all-new essays on how fantasy draws on ancient Greek and Roman mythology, philosophy, literature, history, art, and cult practice.

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    Long description:

    Classical Traditions in Modern Fantasy is the first collection of essays in English focusing on how fantasy draws deeply on ancient Greek and Roman mythology, philosophy, literature, history, art, and cult practice. Presenting fifteen all-new essays intended for both scholars and other readers of fantasy, this volume explores many of the most significant examples of the modern genre-including the works of H. P. Lovecraft, J. R. R. Tolkien's The Hobbit, C. S. Lewis's Chronicles of Narnia, J. K. Rowling's Harry Potter series, George R. R. Martin's Game of Thrones series, and more-in relation to important ancient texts such as Aeschylus' Oresteia, Aristotle's Poetics, Virgil's Aeneid, and Apuleius' The Golden Ass. These varied studies raise fascinating questions about genre, literary and artistic histories, and the suspension of disbelief required not only of readers of fantasy but also of students of antiquity. Ranging from harpies to hobbits, from Cyclopes to Cthulhu, and all manner of monster and myth in-between, this comparative study of Classics and fantasy reveals deep similarities between ancient and modern ways of imagining the world. Although antiquity and the present day differ in many ways, at its base, ancient literature resonates deeply with modern fantasy's image of worlds in flux and bodies in motion.

    Among the book's virtues are detailed notes (at page bottom), illustrations (including Edmund Dulac's Jason Appointed Tiphys the Stargazer, 1919, on the front cover), and full bibliography. The critical theory employed makes the book appropriate for experienced readers. ... Summing Up: Recommended. Upper-division undergraduates through faculty.

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    Table of Contents:

    Introduction: Fantasies of Antiquity
    Brett M. Rogers, University of Puget Sound
    Benjamin Eldon Stevens, Trinity University
    PART I: Classical Apparitions in (Pre-)Modern Fantasy
    1. Classical Epic and the Poetics of Modern Fantasy
    Jesse Weiner, Hamilton College
    2. Theorizing Fantasy: Enchantment, Parody, and the Classical Tradition...58
    Cecilie Flugt, Danish Academy in Rome
    3. The Mirror Crack'd: Fractured Classicisms in the Pre-Raphaelites and Victorian Illustration....77
    Genevieve S. Gessert, American Academy in Rome
    4. Classical Antiquity and the Timeless Horrors of H. P. Lovecraft...... 109
    Robinson Peter Krämer, Rheinische Friedrich-Wilhelms-Universität Bonn
    PART II: False Medievalism & Other Ancient Fantasies
    5. Ancient Underworlds in J. R. R. Tolkien's The Hobbit...138
    Benjamin Eldon Stevens, Trinity University
    6. C. S. Lewis's The Voyage of the "Dawn Treader" and Apuleius' Metamorphoses...171
    Jeff Winkle, Calvin College
    7. A Time for Fantasy: Retelling Apuleius in in C. S. Lewis's Till We Have Faces......190
    Marcus Folch, Columbia University
    PART III: Children and (Other) Ancient Monsters
    8. The Classical Pantheon in Children's Fantasy Literature ...224
    Sarah Annes Brown, Anglia Ruskin University
    9. Orestes & the Half-Blood Prince: Ghosts of Aeschylus in the Harry Potter SeriesL....249
    Brett M. Rogers, University of Puget Sound
    10. Filthy Harpies and Fictive Knowledge in Philip Pullman's His Dark Materials Trilogy....281
    Antonia Syson, Purdue University
    11. Girls in Bears' Clothing in Greek Mythology and Disney/Pixar's Brave...303
    Elizabeth Manwell, Kalamazoo College
    PART IV: (Post)Modern Fantasies of Antiquity
    12. Fantasies of Mimnermos in Anne Carson's "The Brainsex Paintings" (Plainwater)....329
    Sasha-Mae Eccleston, Pomona College
    13. Aeneas' American New World in Jo Graham's Black Ships.....354
    Jennifer A. Rea, University of Florida
    14. Genre, Mimesis, and Virgilian Intertext in George R. R. Martin's A Song of Ice and Fire..........378
    Ayelet Haimson Lushkov, University of Texas-Austin
    Works Cited.... 403

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