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  • Cinema and Classical Texts: Apollo's New Light

    Cinema and Classical Texts by Winkler, Martin M.;

    Apollo's New Light

      • GET 20% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 69.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        34 920 Ft (33 258 Ft + 5% VAT)
      • Discount 20% (cc. 6 984 Ft off)
      • Discounted price 27 937 Ft (26 606 Ft + 5% VAT)

    34 920 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Short description:

    This book interprets films as visual texts and demonstrates the affinities between Greco-Roman literature and the cinema.

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    Long description:

    Apollo was the ancient god of light and the divine patron of the arts. He is therefore a fitting metaphor for cinematography, which is the modern art of writing with moving light. This book interprets films as visual texts and provides the first systematic theoretical and practical demonstration of the affinities between Greco-Roman literature and the cinema. It examines major themes from classical myth and history such as film portrayals of gods, exemplified by Apollo and the Muses; Oedipus, antiquity's most influential mythic-tragic hero; the question of heroism and patriotism in war; and the representation of women like Helen of Troy and Cleopatra as products of male desire and fantasy. Covering a wide range of European and American directors, genres and classical authors, this study provides an innovative perspective on the two disciplines of classics and cinema and demonstrates our most influential medium's unlimited range when it adapts ancient texts.

    "One of the best known authorities on antiquity in film...reviews various ways in which classical culture has directly or indirectly shaped the medium of film....this book is driven by a principled enthusiasm....It is an important resource...because it makes a compelling case for mutual benefit between film studies and classical studies." -Classical Review

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    Table of Contents:

    List of illustrations; Acknowledgments; Introduction: the god of light and the cinema eye; 1. A certain tendency in classical philology; 2. Divine epiphanies: Apollo and the Muses; 3. The complexities of Oedipus; 4. Patriotism and war: 'Sweet and fitting it is to die for one's country'; 5. Helen of Troy: marriage and adultery according to Hollywood; 6. Women in love; Epilogues: 'Bright shines the light'; Bibliography; Index.

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