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  • Choreography Invisible: The Disappearing Work of Dance

    Choreography Invisible by Pakes, Anna;

    The Disappearing Work of Dance

    Series: Oxford Studies in Dance Theory;

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      • Publisher's listprice GBP 37.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        18 149 Ft (17 285 Ft + 5% VAT)
      • Discount 10% (cc. 1 815 Ft off)
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    18 149 Ft

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    Product details:

    • Publisher OUP USA
    • Date of Publication 29 June 2020

    • ISBN 9780199988228
    • Binding Paperback
    • No. of pages378 pages
    • Size 155x234x25 mm
    • Weight 544 g
    • Language English
    • Illustrations 20 illus.
    • 74

    Categories

    Short description:

    In Choreography Invisible: The Disappearing Work of Dance, Anna Pakes seeks to reconcile the ephemeral nature of dance with its status as a cultural object, through the lenses of cultural theory, philosophy, and contemporary dance theory.

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    Long description:

    Dance is often considered an ephemeral art, one that disappears nearly as soon as it materializes, leaving no physical object behind. Yet some dance practice involves people trying to embody something that exists before - and survives beyond - their particular acts of dancing. What exactly is that thing? And (how) do dances continue to exist when not performed? Anna Pakes seeks to answer these and related questions in this book, drawing on analytic philosophy of art to explore the metaphysics of dance making, performance and disappearance. Focusing on Western theater dance,Pakes also traces the different ways dances have been conceptualized across time, and what those historical shifts imply for the ontology of dance works.

    Highly recommended. Upper-division undergraduates through faculty and professionals.

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    Table of Contents:

    List of illustrations
    Acknowledgements
    Introduction
    Part 1: Historicizing dance works
    Chapter 1: Early dances and ballets
    Chapter 2: Action-ballet and ballet-pantomime
    Chapter 3: Modern(ist) dances and modern work-concepts
    Chapter 4: Post-modern works
    Part 2: Creation
    Chapter 5: Works, actions and structures
    Chapter 6: Are dance works real?
    Part 3: Repeatability
    Chapter 7: Dance identity
    Chapter 8: Drowning in Swan Lakes
    Part 4: Persistence
    Chapter 9: Changing dance works
    Chapter 10: Films, recordings and screendance works
    Part 5: Loss and Recuperation
    Chapter 11: The problem of lost works
    Chapter 12: Recuperating loss? Reconstruction, reenactment and work-performance
    Conclusion
    Notes
    References and bibliography

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