Charles Dickens and His Performing Selves
Dickens and the Public Readings
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Product details:
- Publisher Oxford University Press
- Date of Publication 26 October 2006
- ISBN 9780199270699
- Binding Hardback
- No. of pages352 pages
- Size 216x138x23 mm
- Weight 544 g
- Language English
- Illustrations 15 in-text halftones 0
Categories
Short description:
Charles Dickens's public readings have not had the attention they deserve; and yet Dickens put as much effort into perfecting his performances as he did with his novels. These performances were sensational events and won Dickens thousands of new admirers. This book tells that story and brings the events alive, with more detail than ever before.
MoreLong description:
Charles Dickens had three professional careers: novelist, journalist and public Reader. That third career has seldom been given the serious attention it deserved. For the last 12 years of his life he toured Britain and America giving 2-hour readings from his work to audiences of over two thousand. These readings were highly dramatic performances in which Dickens's great gift for mimicry enabled him to represent the looks and voices of his characters, to the point where audiences
forgot they were watching Charles Dickens. His novels came alive on the platform: at the end of a reading, it seemed to many that a whole society had broken up rather than that a solitary recitalist had concluded. This book tries to recreate, in greater detail than hitherto, the sense of how those
readings were performed and how they were received, how Dickens devised his stage set and tailored his books to make them into performance scripts, how he conducted his reading tours all around the country and developed a quite extraordinary rapport with his listeners. No single study of this late career of Dickens has drawn to such an extent on contemporary witnesses to the readings as well as tried to assess in some depth the significance of what Dickens called 'this new expression of the
meaning of my books'. 'I shall tear myself to pieces', he said as he waited eagerly to go on stage for his performance, and that is ironically what he did, in ways he perhaps had not quite intended: he fractured into dozens of different characters up there on the platform, and as he thus tore himself to
pieces his health collapsed irretrievably under the pressures he put upon himself to achieve these masterly illusions.
In achieving all its ambitions, Andrews's book does then add yet another chapter to the extraordinary volume of Dickens's life and work.
Table of Contents:
Premiere: New York, December 1867
A Community of Readers
Reading, Reciting, Acting
Impersonation
Celebrity on Tour
Performance
'Sikes and Nancy': A Re-enactment
A 'New Expression of the Meaning of my Books'
Finale: London, March 1870
Appendix: Schedule of the Reading Tours
