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  • Ceramics and Globalization: Staffordshire Ceramics, Made in China

    Ceramics and Globalization by Ewins, Neil;

    Staffordshire Ceramics, Made in China

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      • Publisher's listprice GBP 27.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        13 372 Ft (12 735 Ft + 5% VAT)
      • Discount 20% (cc. 2 674 Ft off)
      • Discounted price 10 697 Ft (10 188 Ft + 5% VAT)
      • Discount is valid until: 31 December 2025

    13 372 Ft

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    Availability

    Estimated delivery time: Expected time of arrival: end of January 2026.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Bloomsbury Publishing (UK)
    • Date of Publication 20 March 2025
    • Number of Volumes Paperback

    • ISBN 9781350514263
    • Binding Paperback
    • No. of pages224 pages
    • Size 234x156x18 mm
    • Weight 520 g
    • Language English
    • 638

    Categories

    Long description:

    Neil Ewins' study of the Staffordshire potteries in a period of great global change traces how ceramics production has been affected by globalisation in both familiar and unexpected ways.

    Although many manufacturers such as Wedgwood initially moved production to cheaper labour markets in East Asia, others remained in or returned to England once it became clear that outsourcing manufacturing was affecting the brand value and customer perception of their products. Neil Ewins explores the complex behaviour of the UK ceramics industry, using a combination of evidence from the press, trade journals, ceramic objects, and primary interview evidence of manufacturers, retailers and a ceramic designer.

    Ewins suggests that, although the surface designs of UK ceramics invariably reflect diverse cultural and stylistic influences, a notion of authenticity often still resides in the place and context in which the ceramic product was originally made. Overall, the book argues that UK ceramics remain culturally complex because of issues of supply and demand, and ties to heritage, imagined or otherwise. Within a context of globalization, the book highlights compelling issues which have huge ramifications on UK manufacturing futures.

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    Table of Contents:

    Introduction

    Chapter 1: Globalization, the on-going debate
    Organization
    Marketing, consumption and meaning
    Authenticity and craft
    Localism, regional competitiveness and resilience
    Summary

    Chapter 2: The traditions - East Asian and Staffordshire Ceramics
    Far Eastern ceramics and their influence
    The Potteries, Staffordshire
    UK ceramic bodies and styles
    Artists, designers and marketing
    Imports
    The perception of Far Eastern ceramics
    Deterritorialization and copying design
    Changes in production
    Repositioning of Staffordshire brands
    Impact of the Far East on UK ceramic manufacturers
    Changing lifestyles
    Decline versus new businesses
    Summary

    Chapter 3: The Rise of Outsourcing UK ceramics
    The outsourcing debate in the 20th and 21st century
    Far Eastern outsourcing
    Profits and outsourcing
    Employment in the UK ceramic industry
    Craft and quality issues
    Design versus manufacture
    Place of origin debate
    Uncertainty of outsourcing
    A political debate
    Production back in Staffordshire
    Summary

    Chapter 4: The Impact of Far Eastern Outsourcing on the Marketing of UK Ceramics
    An emphasis on the Staffordshire brand
    Attachment to 'England' through branding
    'Made in China', and celebrity endorsement
    Impact of outsourcing on backstamps
    Attachment to 'England' through design and decoration
    Ceramic objects of deception
    Denby and compartmentalization
    Summary

    Chapter 5: Outsourcing and its Impact on the Design Process
    Hugh Saunders, tableware designer, Royal Doulton
    Design development prior to Far Eastern outsourcing
    Outsourcing by Royal Doulton
    Quality issues
    The centralization of design: theory and practice
    Selective outsourcing
    New technology
    Summary

    Chapter 6: Accentuating Place of Origin
    Hand-made
    Emma Bridgewater
    Perception
    Royal Stafford
    Design and the marketing of 'difference'
    Homogenization and ceramic design
    Problems with outsourcing
    Royal Stafford's backstamps and designs
    Attitudes towards backstamping
    Denby, 'Made in England'
    Heron Cross Pottery
    Repeat Repeat: perception and design agility
    Big Tomato Company
    Summary

    Chapter 7: The Impact of Far Eastern Outsourcing on UK Ceramic Demand: the Retail Perspective
    A retailers' perspective
    A Wedgwood retailer in the North of England
    Changing demand
    Perception of Wedgwood
    Status value
    Wedgwood pricing
    Supply problems
    James Pirie of St Andrews, Scotland
    Place of origin
    Pricing
    Thomas Goode, Mayfair, London
    Summary

    Chapter 8: UK Ceramic Manufacturing in Relation to Consumer Perception
    Constructs
    Commemoratives and collectables
    Goviers of Sidmouth
    Royal Crown Derby
    Caverswall China
    Moorcroft
    Hybrid collectables
    The New English
    The Figurine Collective
    Devaluation
    Portmeirion and heritage
    Exports and 'Made in England'
    Summary

    Conclusion


    References

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