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    Carving Light and Body: Studies in Alabaster Meaning(s)

    Carving Light and Body by Lipińska, Aleksandra;

    Studies in Alabaster Meaning(s)

    Series: Studies in Art & Materiality; 9;

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      • Publisher's listprice EUR 137.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        53 512 Ft (50 964 Ft + 5% VAT)
      • Discount 5% (cc. 2 676 Ft off)
      • Discounted price 50 837 Ft (48 416 Ft + 5% VAT)

    53 512 Ft

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    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher BRILL
    • Date of Publication 18 June 2026

    • ISBN 9789004729308
    • Binding Hardback
    • No. of pages pages
    • Size 235x155 mm
    • Weight 1 g
    • Language English
    • 700

    Categories

    Short description:

    An investigation into the mechanisms by which artistic materials generate meaning. Focusing on alabaster across cultures and epochs, it reveals material as an agent shaping the creation, perception, and significance of artworks.

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    Long description:

    Carving Light and Body investigates the mechanisms by which artistic materials generate meaning. Following alabaster across cultures and epochs, Aleksandra Lipińska traces its journey from the quarry to the artist’s workshop, and examines its roles and functions in the realms of art, natural philosophy, theology, poetry, and diplomacy. By exploring alabaster’s qualities and the associations these have invited, she reveals its materiality as an agent that shapes the creation, perception, and significance of artworks. At the same time, she demonstrates that many of the notions traditionally connected with alabaster have been cultural projections, often created independently of its physical properties or natural characteristics.

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