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  • Boult on Music: Words from a Lifetime's Communication

    Boult on Music by Boult, Adrian;

    Words from a Lifetime's Communication

      • Publisher's listprice GBP 25.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        11 943 Ft (11 375 Ft + 5% VAT)

    11 943 Ft

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    Availability

    Temporarily out of stock.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Boydell & Brewer Ltd
    • Date of Publication 1 March 1983
    • Number of Volumes Print PDF

    • ISBN 9780907689034
    • Binding Hardback
    • No. of pages200 pages
    • Size 222x143 mm
    • Weight 670 g
    • Language English
    • 0

    Categories

    Short description:

    Boult on Music assembles the most important of Sir Adrian's broadcast essays and talks, exploring many aspects of his art.

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    Long description:

    Boult on Music assembles the most important of Sir Adrian's broadcast essays and talks, exploring many aspects of his art. One of the twentieth century's best-loved conductors, Sir Adrian Boult often wrote and broadcast on music during the course of his long life. His style of expression, whether writing, speaking or conducting, was always concerned with directness of communication. Boult on Music assembles the most important of Sir Adrian's broadcast essays and talks, exploring many aspects of his art. He discusses composers he knew and worked with, like Elgar and Vaughan Williams, as well as such figures as Schubert and Bach. He examines the craft of his conducting colleagues, like Toscanini, Wood, Nikisch and Beecham, and of fellow musicians like Menuhin and Casals. He also turns his attention to the problems and practicalities of the conductor's task.

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