Blindness and Writing
From Wordsworth to Gissing
Series: Cambridge Studies in Nineteenth-Century Literature and Culture; 109;
- Publisher's listprice GBP 30.99
-
15 684 Ft (14 937 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 1 568 Ft off)
- Discounted price 14 115 Ft (13 443 Ft + 5% VAT)
15 684 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Cambridge University Press
- Date of Publication 11 July 2019
- ISBN 9781316645444
- Binding Paperback
- No. of pages298 pages
- Size 150x230x15 mm
- Weight 440 g
- Language English
- Illustrations 7 b/w illus. 36
Categories
Short description:
Heather Tilley examines the huge shifts that took place in the experience and conceptualisation of blindness during the nineteenth century.
MoreLong description:
In this innovative and important study, Heather Tilley examines the huge shifts that took place in the experience and conceptualisation of blindness during the nineteenth century, and demonstrates how new writing technologies for blind people had transformative effects on literary culture. Considering the ways in which visually-impaired people used textual means to shape their own identities, the book argues that blindness was also a significant trope through which writers reflected on the act of crafting literary form. Supported by an illuminating range of archival material (including unpublished letters from Wordsworth's circle, early ophthalmologic texts, embossed books, and autobiographies) this is a rich account of blind people's experience, and reveals the close, and often surprising personal engagement that canonical writers had with visual impairment. Drawing on the insights of disability studies and cultural phenomenology, Tilley highlights the importance of attending to embodied experience in the production and consumption of texts.
'This critical analysis makes an important contribution to future scholarship on the lived experience of blindness and visual impairment. Blindness and Writing is certainly a book that all who are interested in ophthalmologic discourse should read.' Denise Saul, The British Society for Literature and Science
Table of Contents:
Part I. Blind People's Writing Practices: 1. Writing blindness, from vision to touch; 2. The materiality of blindness in Wordsworth's imagination; 3. 'A literature for the blind': the development of raised print systems; 4. Memoirs of the blind: the genre of blind biographical writing; Part II. Literary Blindness: 5. Blindness, gender, and autobiography: reading and writing the self in Jane Eyre, Aurora Leigh, and The Life of Charlotte Bront&&&235;; 6. Writing blindness: Dickens; 7. Embodying blindness in the Victorian novel: Frances Browne's My Share of the World and Wilkie Collins' Poor Miss Finch; 8. Blindness, writing, and the failure of imagination in Gissing's New Grub Street.
More
