Black Queer Girlhood on the Musical Theatre Stage
- Publisher's listprice GBP 91.00
-
41 086 Ft (39 130 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 4 109 Ft off)
- Discounted price 36 978 Ft (35 217 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
41 086 Ft
Availability
Not yet published.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher OUP USA
- Date of Publication 3 July 2026
- ISBN 9780197661406
- Binding Hardback
- No. of pages400 pages
- Size 235x156 mm
- Language English 700
Categories
Short description:
Black Queer Girlhood on the Musical Theatre Stage offers a new perspective on the creativity of contemporary Black women musical theatre artists, their representations of Black girlhood, and the Black queer feminist spectators who engage with their work. Creating a new model for Black queer feminist praxis, La Donna L. Forsgren engages with musical theatre scholarship, Black queer feminist criticism, reception studies, Black girlhood studies, and film and television studies, critiquing the gaps and silences within these fields.
MoreLong description:
Black Queer Girlhood on the Musical Theatre Stage offers a new perspective on the creativity of contemporary Black women musical theatre artists, their representations of Black girlhood, and the Black queer feminist spectators who engage with their work. Creating a new model for Black queer feminist praxis, La Donna L. Forsgren engages with musical theatre scholarship, Black queer feminist criticism, reception studies, Black girlhood studies, and film and television studies, critiquing the gaps and silences within these fields.
Each chapter uses Black queer feminist criticism and audience reception theories of popular culture to understand what meaning and pleasure Black queer spectators find in popular musical performances created by Black women. Through resistant readings of twenty contemporary musical theatre productions--from Broadway hits such as The Color Purple and the televised broadcast of The Wiz Live! to the less studied but popular gospel musical Mama, I Want to Sing!--Forsgren demonstrates how the intersections of Black women's identity foster their ability to (at times) subvert and disrupt heterocentrism, sexism, and white cultural hegemony within the modes of theatre production. In so doing, Black Queer Girlhood on the Musical Theatre Stage positions Black women's artistic work as a crucial component of politically engaged popular entertainment and renders Black queer feminist spectators visible.
02/02/2026
Table of Contents:
Introduction: To Be a Young and Gifted Blackgirl
Black Girl Worker Bees and Resiliency
Blackgirls, The Black Church, and Gospel Musicals
Blackgirl Wit and Imagination
Blackgirl Fairy Tales
Blackgirl Fantasy
Blackgirls Navigate Show Business
Conclusion