Black is a Church
Christianity and the Contours of African American Life
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Product details:
- Publisher OUP USA
- Date of Publication 1 June 2023
- ISBN 9780190615130
- Binding Hardback
- No. of pages256 pages
- Size 147x212x21 mm
- Weight 408 g
- Language English 408
Categories
Short description:
From the earliest literary productions of the eighteenth century to the
MoreLong description:
BlackLivesMatter movement in the twenty-first century, religion--namely Protestant Christianity--has been encoded in black life in North America. Black is a Church invites attention to the surprising alliances, peculiar performances, and at times contradictory ideas and complex institutions that shape the contours black life in the United States.
In Black is a Church, Josef Sorett maps the ways in which black American culture and identity have been animated by a particular set of Protestant ideas and practices in order to chart the mutually reinforcing discourses of racial authenticity and religious orthodoxy that have made Christianity essential to the very notion of blackness. In doing so, Sorett reveals the ways that Christianity, white supremacy, and colonialism coalesced in the modern category of "religion" and became formative to the emergence of black identity in North America.
Black is a Church examines the surprising alliances, peculiar performances, and at times contradictory ideas and complex institutions that shape the contours of black life in the United States. The book begins by arguing that Afro-Protestantism has relied upon literary strategies to explain itself since the earliest years of its formation. Through an examination of slave narratives and spiritual autobiographies, it shows how Protestant Christianity was essential to the establishment of the earliest black literary forms. Sorett then follows Afro-Protestantism's heterodox history in the convergence of literature, politics, and religion at the end of the nineteenth century. And he shows how religious aspirations animated early calls for a "race literature" and "the color line" provided an organizing logic for religious innovations as divergent as pluralism and Pentecostalism. From the earliest literary productions of the eighteenth century to the
Table of Contents:
Preface & Acknowledgements
Introduction
Chapter 1 The Literary Beginning(s) of Afro-Protestantism
Chapter 2 Afro-Protestantism, Pluralism(s) and the Problem of the Color Line
Chapter 3 Afro-Protestantism and the Politics of (Studying) Black Life
Chapter 4 The Afterlives of Afro-Protestantism
Notes
Works Cited
