Benjamin Britten in Context
Series: Composers in Context;
- Publisher's listprice GBP 26.99
-
12 894 Ft (12 280 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 20% (cc. 2 579 Ft off)
- Discounted price 10 315 Ft (9 824 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
12 894 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Cambridge University Press
- Date of Publication 30 May 2024
- ISBN 9781108721844
- Binding Paperback
- No. of pages428 pages
- Size 228x151x22 mm
- Weight 630 g
- Language English 558
Categories
Short description:
A thematically organised overview of the musical, social and cultural contexts for the multi-faceted career of this pivotal British composer.
MoreLong description:
Benjamin Britten, pianist, conductor, educator, composer of &&&160;a wide range of music from large-scale operas and choral works to string quartets and songs, is acknowledged as a pivotal figure in mid-twentieth-century Britain. This volume explores the contexts for his multi-faceted career and his engagement with his contemporaries in music, art, literature, and film, British musical institutions, royal and governmental entities, and the church, as well as his ground-breaking projects, philosophical and ideological tenets. The book is thematically structured in five parts: Britten's relationships with Peter Pears, his close friends, mentors, and colleagues; musical life in Britain; his interactions with previous and contemporary generations of composers; his professional work with choreographers, librettists, stage designers, and directors; and his socio-cultural, religious, and political environment. The chapters shed light on the many opportunities and challenges of post-war British musical life that shaped Britten's creative output.
'informative and thought-provoking' Nigel Simeone, Gramophone
Table of Contents:
Prologue: Positioning Britten Vicki P. Stroeher and Justin Vickers; Part I. The Britten Circle(S): 1. Early mentors: The bridges, the Auden set, and the mayers of long Island Arnold Whittall; 2. Peter Pears Justin Vickers; 3. The open secret Nicholas Clark; 4. Britten's circle Lucy Walker; 5. Britten's musical assistants Christopher Scheer; 6. Britten's publishers as advance and rear guard Philip Reed; Part II. British Musical Life: 7. Composing in England Eric Saylor; 8. Britten and Film Mervyn Cooke; 9. Britten and the radio Alison Garnham; 10. Television and the composer Danielle Ward-Griffin; 11. Music critics and the press Philip Reed and Vicki P. Stroeher; 12. Britten and English opera: Myths and a (Chequered) history Mervyn Cooke; 13. Festival culture in the British Isles Justin Vickers; 14. Concert life in Britain Philip Reed; 15. Benjamin Britten and folksong Julian Onderdonk; 16. Educating the Nation: Britten's music for young people Kate Guthrie; Part III. Britten and Other Composers: 17. The compositional context: creating a voice Christopher Mark; 18. Responding to a British musical past Michael Burden; 19. Britten and the English musical renaissance Alain Frogley; 20. Responding to the continent Arved Ashby; 21. An English tradition? Christopher Mark; 22.'An exciting time with all Russians': Anglo-Soviet musical contacts Cameron Pyke; 23. The Avant-Garde Philip Rupprecht; Part IV. Wordsmiths, Designers, and Performers: 24. W. H. Auden Vicki P. Stroeher; 25. Eric Crozier Justin Vickers; 26. Two librettists: Montagu slater and Ronald Duncan Ian Patterson; 27. The wise, queer heart of Englishness: E. M. Forster Hanna Rochlitz; 28.William Plomer's poetics of exile at home Kevin Salfen; 29.'Don't colour them, the music will do that': Myfanwy Piper and Britten's marriage of words and music Frances Spalding; 30. Designing and dancing Britten Kevin Salfen and Lucy Walker; 31.Pears as illuminator, interpreter, and inspiration Justin Vickers; 32. Britten's singers Roger Vignoles; 33. Britten's performers: those most 'Instrumental' Thomas Schuttenhelm; Part V. British Socio-Cultural, Religious, and Political Life: 34. English and British national identity in the Arts Irene Morra; 35. Britten's landscapes Charlotte de Mille; 36. Monarchy, royalty, and arts patronage Matthias Range; 37. Literary leanings Nicholas Clark; 38. Faith, spirituality, and the church Margaret Lane; 39. The politics of the closet J. P. E. Harper-Scott; 40. Communism, socialism, and pacifism in British politics: From the 1930s to the cold war Joanna Bullivant; Epilogue: Britten's Legacy Arnold Whittall; Topical bibliography for further reading; Works cited; Index.
More
Grids for the Dynamic Image
7 142 HUF
6 214 HUF