Becoming Black
Creating Identity in the African Diaspora
- Publisher's listprice GBP 90.00
-
40 635 Ft (38 700 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount % (cc. 0 Ft off)
- Discounted price 0 Ft (0 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
40 635 Ft
Availability
Out of print
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Duke University Press
- Date of Publication 7 January 2004
- Number of Volumes Cloth over boards
- ISBN 9780822332114
- Binding Hardback
- No. of pages296 pages
- Size 241x152x28 mm
- Weight 522 g
- Language English 0
Categories
Long description:
Wright argues that three nineteenth-century American and European works addressing race-Thomas Jefferson’s Notes on the State of Virginia, G. W. F. Hegel’s Philosophy of History, and Count Arthur de Gobineau’s Essay on the Inequality of the Human Races-were particularly influential in shaping twentieth-century ideas about Black subjectivity. She considers these treatises in depth and describes how the revolutionary Black thinkers W. E. B. Du Bois, AimÉ CÉsaire, LÉopold SÉdar Senghor, and Frantz Fanon countered the theories they promulgated. She explains that while Du Bois, CÉsaire, Senghor, and Fanon rejected the racist ideologies of Jefferson, Hegel, and Gobineau, for the most part they did so within what remained a nationalist, patriarchal framework. Such persistent nationalist and sexist ideologies were later subverted, Wright shows, in the work of Black women writers including Carolyn Rodgers and Audre Lorde and, more recently, the British novelists Joan Riley, Naomi King, Jo Hodges, and Andrea Levy. By considering diasporic writing ranging from Du Bois to Lorde to the contemporary African novelists Simon Njami and Daniel Biyaoula, Wright reveals Black subjectivity as rich, varied, and always evolving.
Table of Contents:
Acknowledgments
vii
Introduction: Being and Becoming Black in the West 1
1. The European and American Invention of the Black Other
27
2. The Trope of Masking in the Works of W. E. B. Du Bois, Leopold Sedar Senghor, and Aime Cesaire 66
3. Some Women Disappear: Frantz Fanon's Legacy in Black Nationalist Thought and the Black (Male) Subject
111
4. How I Got Ovah: Masking to Motherhood and the Diasporic Black Female Subject 136
5. The Urban Diaspora: Black Subjectivities in Berlin, London, and Paris
183
Epilogue: If the Black Is a Subject, Can the Subaltern Speak? 229
Notes 233
Bibliography 261
Index 269