Authors and the World
Literary Authorship in Modern Germany
Series: New Directions in German Studies;
- Publisher's listprice GBP 28.99
-
13 849 Ft (13 190 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 20% (cc. 2 770 Ft off)
- Discounted price 11 080 Ft (10 552 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
13 849 Ft
Availability
printed on demand
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Bloomsbury Academic
- Date of Publication 21 March 2024
- Number of Volumes Paperback
- ISBN 9781501391064
- Binding Paperback
- No. of pages368 pages
- Size 214x134x22 mm
- Weight 440 g
- Language English 547
Categories
Long description:
Authors and the World traces how four core 'modes of authorship' have developed and inflect one another in modern Germany through a series of twenty different case studies, including the work of Thomas Mann, Günter Grass, Anna Seghers, Walter Höllerer, Felicitas Hoppe and Katja Petrowskaja, and original interview material with contemporary writers Ulrike Draesner, Olga Martynova and Ulrike Almut Sandig. 'Modes of authorship' are attitudes taken towards being an author that can be seen both in what an individual author does and in how a particular literary tradition or trend is perceived and mediated by others both within and beyond Pierre Bourdieu's literary field. Consequently, they deliberately straddle questions of literary production and reception.
Rebecca Braun sets out how the commemorative, celebratory, utopian and satirical modes interact with one another to produce a number of models of authorship that carry either foundational or otherwise normative force for society. In varying combinations and with deep roots in 19th- and early 20th-century practices, the four modes of authorship create a remarkably (and at times troublingly) stable German literature network that to a large degree still determines the way contemporary German-speaking authors enact their cultural significance in their writing, engage with their local circumstances, and are more broadly received around the world.
Authors and the World provides not just a radically new approach to German literary history but a thoroughly new paradigm for thinking about literary authorship.
Table of Contents:
List of Figures
Acknowledgements
Note on Translations
Introduction: Rethinking Goethe's World Literature through Questions of Authorship
1. Four Modes of Authorship across the German Twentieth Century
2. The Exemplary Creator: Modelling Authorship in Post-War West Germany
3. The Exemplary Pedagogue: Alternative Foundations for Belonging in the GDR
4. Mediating Authorship in Berlin and Frankfurt, 1959-1989
5. After the Death of the Author: The Rise of the Utopian Mode, 1988-2018
6. New Collaborations: Models of Transnational Authorship in Contemporary German-speaking Europe
In Conversation: Ulrike Draesner: On Creating Contexts for Literature
In Conversation: Olga Martynova on Living in Multiple Literary Worlds
In Conversation: Ulrike Almut Sandig on Collaborating across Media, Genres, and Countries
Bibliography
Index
Fairness at Work: A Critical Analysis of the Employment Relations Act 1999 and its Treatment of Collective Rights
26 271 HUF
22 856 HUF
xxxxxxxxx Retired project
4 221 HUF
3 883 HUF
