Authorial Echoes
Textuality and Self-plagiarism in the Narrative of Luigi Pirandello
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Product details:
- Edition number 1
- Publisher Routledge
- Date of Publication 1 December 2003
- ISBN 9781904713036
- Binding Paperback
- No. of pages200 pages
- Size 216x138 mm
- Weight 249 g
- Language English 0
Categories
Short description:
Pirandello is known for his plays, but his narrative production hasn't enjoyed the same degree of attention. This study represents a reassessment of this output, including the "realist" novels, the historical novel "I vecchi e i giovani" and the autobiographical "Suo marito".
MoreLong description:
Luigi Pirandello is best known for his experimental plays, but his narrative production has not enjoyed the same degree of critical attention. O'Rawe's study represents the first major reassessment of this output, including the 'realist' novels, the historical novel I vecchi e i giovani (1909) and the autobiographical Suo marito (1911). The book identifies in Pirandello a practice of 'self-plagiarism' - constant rewriting and revision and obsessive re-use of material - and explores the relation of these overlooked modes of composition to the author's own theories of authorship and textuality. Drawing on a wide range of critical theory, O'Rawe repositions Pirandello as a major figure in the development of European narrative modernism.
MoreTable of Contents:
Introduction PART I 1 ‘Non parola ma la cosa stessa’: Pirandello, Metaphor and ‘L’umorismo’ 2 The Unrepeatable Repeated: Epiphany and Self-Plagiarism PART II 3 Metaphors of History: I vecchi e i giovani 4 Authors and Authenticity: Suo marito, 5 ‘Non conclude’?: Uno, nessuno e centomila and the Dangers of Overinterpretation, Conclusion
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