Aspects of the Performative in Medieval Culture
Series: Trends in Medieval Philology; 18;
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Product details:
- Edition number 1
- Publisher De Gruyter
- Date of Publication 19 April 2010
- ISBN 9783110222463
- Binding Hardback
- No. of pages327 pages
- Size 230x155 mm
- Weight 601 g
- Language English 0
Categories
Short description:
The series in German medieval studies includes central topics of current research debates in medieval studies and provides a place for groundbreaking research in the subject literature. The series is intended to give international and young researchers/research teams the possibility to effectively present innovative surveys and discussions to the scientific community. The series sees itself as a 'young' research forum with a high standard of quality and is therefore also open to excellent degree theses, should they enhance the series.
MoreLong description:
The volume assesses performative structures within a variety of medieval forms of textuality, from vernacular literature to records of parliamentary proceedings, from prayer books to musical composition. Three issues are central to the volume: the role of ritual speech acts; the way in which authorship can be seen as created within medieval texts rather than as a given category; finally, phenomena of voice, created and situated between citation and repetition, especially in forms which appropriate and transform literary tradition. The volume encompasses articles by historians and musicologists as well as literary scholars. It spans European literature from the West (French, German, Italian) to the East (Church Slavonic), vernacular and Latin; it contrasts modes of liturgical meditation in the Western and Eastern Church with secular plays and songs, and it brings together studies on the character of ‛voice’ in major medieval authors such as Dante with examples of Dante-reception in the early twentieth century.
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