Artistic Agency
Thinking Creation With Post-War French Philosophy
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Product details:
- Publisher Springer Nature Switzerland
- Date of Publication 6 December 2025
- Number of Volumes 1 pieces, Book
- ISBN 9783031979682
- Binding Hardback
- No. of pages299 pages
- Size 210x148 mm
- Language English
- Illustrations X, 299 p. 1 illus. 700
Categories
Long description:
"
This volume seeks to explain the notion of control artists possess, and given they are changed by the action, the sense in which they can claim an artwork as theirs. Standard explanations of action and agency struggle to explain various artistic practices. Requiring recourse to a prior intention, these accounts are challenged by the spontaneity of dance and musical improvisation, a painter’s realization of an artwork, and how writers manifest meaning in a piece of writing. Furthermore, in such artistic practices, the artist is changed by the demands of the action. This interdisciplinary volume combines thirteen contributions from various artistic practices, in photography, music, dance and painting, with philosophical perspectives from post-war France to consider the changing role of the artist. This identifies what it is about an artistic practice that is creative, and how everyday occurrences can become artistic, describing the ethical and political implications of various artistic practices.
" MoreTable of Contents:
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Chapter 1: Introduction: The Challenge of Artistic Agency.- Chapter 2: Bacon and Deleuze on the Act of Painting: The Expression of Painterly Intentions and the Formation of Forms.- Chapter 3: Colour as Force.- Chapter 4: The Problematics of Art and Agency in the Field of Dance.- Chapter 5: Intentionality Without Ends and the “As-If” Agent: Reading Klossowski’s Nietzsche Alongside Practising Theory.- Chapter 6: Artistic Agency: An East-West Dialogue.- Chapter 7: Making Music Stutter: Reconstructing Jazz Improvisation Between Derrida and Deleuze.- Chapter 8: The Corporealisation of Language Through the Body of Music: Revisitng Barthes’s “Musica Practica”.- Chapter 9: The Aesthetic Underground: Alain Badiou’s Collective Subject in Art.- Chapter 10: Embedded Rupture: Castoriadis on Creating the New.- Chapter 11: “I’ve Led a War Against the Aesthetic”—Laruelle and Artistic Agency.- Chapter 12: Hybrid Artistic Agency: Experiment and Reflection with Creative AI.- Chapter 13: Informatic Agency: Feedback and Control in Norbert Weiner and Jimi Hendrix.
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