Art and Emotion
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Product details:
- Publisher OUP Oxford
- Date of Publication 25 January 2001
- ISBN 9780199243167
- Binding Paperback
- No. of pages246 pages
- Size 217x138x14 mm
- Weight 306 g
- Language English 0
Categories
Short description:
Derek Matravers examines how emotions form a bridge between our experience of art and of life. We often find that a particular poem, painting, or piece of music carries an emotional charge; and we may experience emotions towards, or on behalf of, a particular fictional character. Matravers shows that what these experiences have in common, and what links them to the expression of emotion in non-artistic cases, is the role played by feeling. He carries out a critical survey of various accounts of the nature of fiction, attacks contemporary cognitivist accounts of expression, and offers an uncompromising defence of a controversial view about musical expression: that music expresses the emotions it causes its listeners to feel.
MoreLong description:
Derek Matravers examines how emotions form a bridge between our experience of art and of life. We often find that a particular poem, painting, or piece of music carries an emotional charge; and we may experience emotions towards, or on behalf of, a particular fictional character. These experiences are philosophically puzzling, for their causes seem quite different from the causes of emotion in the rest of our lives. Matravers shows that what these experiences have in common, and what links them to the expression of emotion in non-artistic cases, is the role played by feeling. He carries out a critical survey of various accounts of the nature of fiction, attacks contemporary cognitivist accounts of expression, and offers an uncompromising defence of a controversial view about musical expression: that music expresses the emotions it causes its listeners to feel.
a rich and carefully developed set of positions on topics central to aesthetics.
Table of Contents:
Introduction
The Emotions
'Fearing Fictions'
Engaging Fictions
Causal Stories
Expression and Metaphor
The Cognitive Theory
Defending the Arousal Theory
The Musical Experience
Belief and Experience
Creation and Criticism
Bibliography, Index