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  • Archival Film Curatorship: Early and Silent Cinema from Analog to Digital

    Archival Film Curatorship by Ingravalle, Grazia;

    Early and Silent Cinema from Analog to Digital

    Series: Framing Film;

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      • Publisher's listprice GBP 42.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        20 538 Ft (19 560 Ft + 5% VAT)
      • Discount 20% (cc. 4 108 Ft off)
      • Discounted price 16 430 Ft (15 648 Ft + 5% VAT)

    20 538 Ft

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    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 1 December 2025

    • ISBN 9781041175698
    • Binding Paperback
    • No. of pages240 pages
    • Size 234x156 mm
    • Language English
    • 700

    Categories

    Short description:

    Archival Film Curatorship is the first book-length study that investigates film archives at the intersection of institutional histories, early and silent film historiography, and archival curatorship. It examines three institutions at the forefront of experimentation with film exhibition and curatorship.

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    Long description:

    Archival Film Curatorship is the first book-length study that investigates film archives at the intersection of institutional histories, early and silent film historiography, and archival curatorship. It examines three institutions at the forefront of experimentation with film exhibition and curatorship. The Eye Film Museum in Amsterdam, the George Eastman Museum in Rochester, NY, and the National Fairground and Circus Archive in Sheffield, UK serve as exemplary sites of historical mediation between early and silent cinema and the digital age. A range of elements, from preservation protocols to technologies of display and from museum architectures to curatorial discourses in blogs, catalogs, and interviews, shape what the author innovatively theorizes as the archive’s hermeneutic dispositif. Archival Film Curatorship offers film and preservation scholars a unique take on the shifting definitions, histories, and uses of the medium of film by those tasked with preserving and presenting it to new digital-age audiences.

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    Table of Contents:

    Introduction, Theorizing Archival Film Curatorship, Chapter 1 The Eye Filmmuseum: Beyond the Canon, the Fragment and Remix, Chapter 2 The George Eastman Museum: From Trivia to Popular and Fine Art, Chapter 3 The National Fairground and Circus Archive: Early Fairground Cinema and Cine-Variety Pastiche, Conclusion Moving-Image Curatorship Beyond Film Heritage, Notes, Index, Bibliography, Filmography

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