Anything Goes
A History of American Musical Theatre
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Product details:
- Publisher OUP USA
- Date of Publication 9 July 2015
- ISBN 9780190227937
- Binding Paperback
- No. of pages360 pages
- Size 231x155x22 mm
- Weight 499 g
- Language English
- Illustrations 25 photographs 0
Categories
Short description:
After six volumes on the musical's history, working decade by decade from the 1920s through the 1990s, Ethan Mordden takes an entirely fresh look at the musical, from The Beggar's Opera to Wicked. Looking at the Star Comic, the Sweetheart Heroine, the war between musical comedy and operetta, the rise of the sexy story in the 1920s, the wedding of ballet and hoofing in the 1930s, the Oklahoma! and Carousel "musical play" in the 1940s, the Novelty Star in the 1950s, and other developments.
MoreLong description:
Ethan Mordden has been hailed as "a sharp-eared listener and a discerning critic," by Opera News, which compares his books to "dinner with a knowledgeable, garrulous companion." The "preeminent historian of the American musical" (New York Times), he "brings boundless energy and enthusiasm buttressed by an arsenal of smart anecdotes" (Wall Street Journal). Now Mordden offers an entirely fresh and infectiously delightful history of American musical theatre.
Anything Goes stages a grand revue of the musical from the 1920s through the 1970s, narrated in Mordden's famously witty, scholarly, and conversational style. He peers with us over Stephen Sondheim's shoulder as he composes at the piano. He places us in a bare rehearsal room as the cast of Oklahoma! changes history by psychoanalyzing the plot in the greatest of the musical's many Dream Ballets. And he gives us tickets for orchestra seats on opening night-raising the curtain on the pleasures of Victor Herbert's The Red Mill and the thrill of Porgy and Bess. Mordden examines the music, of course, but also more neglected elements. Dance was once considered as crucial as song; he follows it from the nineteenth century's zany hoofing to tap "combinations" of the 1920s, from the injection of ballet and modern dance in the 1930s and '40s to the innovations of Bob Fosse. He also explores the changing structure of musical comedy and operetta, and the evolution of the role of the star. Fred Stone, the avuncular Scarecrow in the Wizard of Oz, seldom varied his acting from part to part; but the versatile Ethel Merman turned the headlining role inside out in Gypsy, playing a character who was selfish, fierce, and destructive.
From "ballad opera" to burlesque, from Fiddler on the Roof to Rent, the history and lore of the musical unfolds here in a performance worthy of a standing ovation.
[T]he book takes us to present day, Mr. Mordden has a lot of ground to cover, but his high-energy style carries us along amiably, and it soon becomes obvious that he hasn't set out to write a reference work but... a survey of an art form seen through the eyes of a breathless and opinionated host."
Table of Contents:
Introduction
THE FIRST AGE
1. Source Material
2. The Age of Burlesque
3. At the Turn of the Century
THE SECOND AGE
4. The Witch of the Wood and the Bamboo Tree
5. Victor Herbert
6. The New Music
7. The Variety Show
THE THIRD AGE
8. The Structure of the Twenties Musical Comedy
9. The Structure of the Twenties Operetta
10. Dancing in the Dark
11. Blue Monday Blues
12. The Rodgers and Hammerstein Handbook
13. Something to Dance About
14. After West Side Story
15. The Sondheim Handbook
THE FOURTH AGE
16. Devolutions
17. That Is the Stae of the Art
FOR FURTHER READING
DISCOGRAPHY
INDEX
