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Product details:
- Edition number 1
- Publisher Routledge
- Date of Publication 30 September 2024
- ISBN 9781032462875
- Binding Hardback
- No. of pages260 pages
- Size 229x152 mm
- Weight 453 g
- Language English
- Illustrations 41 Illustrations, black & white; 34 Halftones, black & white; 7 Line drawings, black & white; 1 Tables, black & white 633
Categories
Short description:
This volume explores the roles and uses of abstraction in scientific and artistic practice. The essays draw on the shared premise that abstraction is a rich and generative process, not reducible to the mere omission of details in a representation.
MoreLong description:
This volume explores the roles and uses of abstraction in scientific and artistic practice. Conceived as an interdisciplinary dialogue between experts across histories and philosophies of art and science, this collection of essays draws on the shared premise that abstraction is a rich and generative process, not reducible to the mere omission of details in a representation.
When scientists attempt to make sense of complex natural phenomena, they often produce highly abstract models of them. In the history and philosophy of art, there is a long tradition of debate on the function of abstraction, and ? more recently ? its relation with theories of depiction. Adopting a process-oriented perspective, the chapters in this volume explore the epistemic potential of a diversity of practices of abstracting. The systematic analysis of a wide range of historical cases, from early twentieth-century abstractionist painting to contemporary abstract photography, and from nineteenth-century physics to recent research in biology and neurosciences, invites the reader to reflect on the material lives of abstraction through concrete artefacts, experimental practices, and theoretical and aesthetic achievements.
Abstraction in Science and Art: Philosophical Perspectives will be of interest to scholars and advanced students working in aesthetics, philosophy of science, and epistemology, as well as to historians of science and art, and to practicing artists and scientists interested in exploring foundational questions at the heart of the creative practice of abstracting.
The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Open access for this book was funded by University College London.
MoreTable of Contents:
Introduction: Abstraction in Science and Art Chiara Ambrosio and Julia Sánchez-Dorado 1. Selective Disregard Catherine Elgin 2. How abstract images have aboutness: an overview Elisa Caldarola 3. Abstraction in Photography, Revisited Diarmuid Costello 4. Bertrand Russell, Albert Barnes, and the place of aesthetics in the History of Western Philosophy C. Oliver O?Donnell 5. Abstracting as Manipulating Aspectual Structure: Jane Richardson?s Ribbon Drawings of Proteins Chiara Ambrosio and Grant Fisher 6. Moving Targets and Models of Nothing: A New Sense of Abstraction for Philosophy of Science Michael T. Stuart and Anatolii Kozlov 7. The novel naturalness of abstract space Julia Sánchez-Dorado 8. Maxwell / Mondrian: Abstraction as a Process in Science and Art Mauricio Suárez 9. Abstraction as Material Translation: An Artistic Reflection of (Re)Presentation Tarja Knuuttila, Hanna Johansson, and Natalia Carrillo 10. What If? Rasmus Gr?nfeldt Winther and Marie Raffn
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